10 Cloverfield Lane

2016
8
Director: 
Dan Trachtenberg

SYNOPSIS: 

A young lady named Michelle gets into an auto crash and rises and shines with a chain on her leg in a puzzling room. Before long a while later, Howard strolls in and advises her they are underground on the grounds that there has been an atomic assault, and he spared her life. Howard, Michelle and one other man there with them all stay under the order of Howard. Michelle is suspicious that he could have abducted her. Confronted with Howard's controlling and threatening nature makes Michelle need to get away. Subsequent to taking matters into her own particular hands, the young lady at last finds reality about the outside world.

REVIEW: 

At the point when Cloverfield touched base on the extra large screen in 2008, nothing was thought about the J J Abrams-delivered beast film. 

No curve balls there: from the web fuelled tricks encompassing TV demonstrate Lost to the express lockdown on spoilers for Star Wars: Episode VII – The Force Awakens, Abrams delights in conjuring up secret and interest. 

Indeed, even by all accounts, be that as it may, new film 10 Cloverfield Lane was made under a cover of ­military-review mystery. Indeed, even the cast didn't comprehend what they were taping – it was given a distraction title – until shooting was under way. Its exceptionally presence was just uncovered two months before discharge. 

Relinquishing the discovered film style of the past film, this is a by and large extraordinary prospect – more a turn off than direct continuation. 

A chamber dramatization, an elusive ­psycho-thriller, it plays on fears that numerous Americans appear to have about being attacked or ­attacked. 

Mary Elizabeth Winstead stars as Michelle, a young lady who, after a short sweetheart escaping introduction, awakens from a fender bender to get herself tied up in a cell in an underground dugout. Her dreadful captor, Howard (John Goodman), has watched out for her injuries – yet discloses to her she can't clear out. 

In the hands of a chief, for example, Eli Roth, such a situation would have slid into a horrible torment/exact retribution flick. Be that as it may, this film, co-composed by Whiplash's Damien Chazelle, plays reckless with class desires. 

At the point when Howard clarifies that there has been some sort of assault that has left the air tainted, and that he saved Michelle, she normally declines to trust him. Be that as it may, a kindred dugout tenant, amiable neighbor Emmett (John Gallagher Jr), appears to authenticate Howard's story. 

To state significantly more would give away the film's various turns, yet make a big appearance executive Dan Trachtenberg remains in charge in these colossally claustrophobic ­bunker-set scenes that frame the heft of the film. 

Specific credit goes to Goodman, who hasn't been this startling since Barton Fink. However there are snapshots of cleverness, as well, easing the strain and far expelling it from the inauspicious agnosticism of other post-whole-world destroying survival stories, for example, John Hillcoat's The Road or Xavier Gens' The Divide. 

Now, you might be meandering what on Earth this needs to do with Cloverfield, something a CGI-substantial act answers. Kind of. 

In truth, that finale doesn't exactly satisfy the prior barometrical scenes, however Winstead is ordering as a champion in the vein of Alien's Ripley, conveying an execution that ought to at last place her in the general population ­consciousness. 

Flipping amongst awfulness and science fiction easily, this is a film loaded with winded, heart-halting minutes, regardless of the possibility that the "Clover-verse" confining gadget never entirely persuades.

OTHER MOVIES REVIEWS

Audition

1999

  Direction is just as important as story and even more important than acting. For this reason I probably have more favorite directors than I do actors or actresses. Takashi Miike is easily in my top five all time favorite directors. Before there was Imprint(Masters of Horror Season 1 Episode 13), there was Ichi the Killer andHappiness of the Katakuris. And before those two cinematic gems there was Audition; an absolute masterpiece of Japanese horror film making. Taken from a novel written by Ryu Murakami, Audition starts by... Read More

Jeepers Creepers 3

2017

Jeepers Creepers series. Thinking back on the progress and how we got to this point, a sequel had been in talks since before the second movie even found its way into theaters, but finding proper financing has always been an issue (and writer/director Victor Salva's sordid past didn't help matters). Over the years many ideas have been thrown around, like some parts of the film possibly taking place in western times (which might explain The Creeper's choice in clothing) and the more reported idea of the story taking place 23 years after the events of the last one. This idea... Read More

Goodnight Mommy

2015

This my one of the favorite movies of all time, I love to say the view and creepiness in this movie are amazing. Usually if a movie trailer depicts a movie a certain way and the actual film is completely different, I get annoyed. Why are you marketing it in a way that doesn’t actually do it justice? Just to make people want to see it? It smacks of desperation and comes across as a cheap ploy. However, in the case of the Austrian film Goodnight Mommy, the trailer does exactly what it needs to do by showing us things to make us terrified of one... Read More

Ichi The Killer (Koroshiya 1)

2001

Ichi The Killer (Koroshiya 1) is director by Takeshi Miike. I would say it is Miike’s best film, but he has such an extensive and varied catalogue it is hard to even see all his films let alone really compare them: they range from zombie musicals (Happiness of the Katakuris) to spaghetti westerns based on Shakespeare’s Henry VI (Sukiyaki Western Django). Miike is one of the world’s most prolific directors, making about 3 films every year for the past two decades and they are rarely in the same genre twice, although he does have a love stories involving the Yakuza (... Read More

Noroi: The Curse

2005

It’s true that when it’s bad, it’s really bad, but there are a few gems out there that make it all worthwhile. The other day I managed to see what might be the most complex one yet, one that doesn’t sacrifice story for the sake of cheap shocks. This film, my friends, is Noroi the Curse, from director Kôji Shiraishi. Bearing more resemblance to something like Brian De Palma’s Redacted* than Paranormal Activity, the film is structured as a mockumentary by the fictional paranormal investigator/journalist Masafumi Kobayashi. He... Read More