fashion
 | BluebeardMovie Review Bluebeard (1972) – One Man, Seven Wives, and Way Too Much Fur Richard Burton is Bluebeard — and honestly, he doesn't seem too upset that every woman he marries ends up... let’s say, unavailable. Then again, when you’ve got a mustache this perfect and a wife collection that ranges from a sadomasochistic nun to a trapeze artist, the real crime is not turning it into a reality show. The film is a kind of gothic horror disguised as a 1970s fashion parade: lace, velvet, dramatic music, and more flashbacks than an entire season of Lost. The plot? He marries them, they ask questions, he gets annoyed... next! Burton... Read More |
 | NightbitchMovie Review When Motherhood Bites… Literally If you’ve ever wondered what would happen if maternal frustration merged with animal instinct and a pinch of suburban werewolf lore, Nightbitch is the cinematic answer you never knew you needed. Rachel—played by Amy Adams, who finally seems to be enjoying not being liked (not even by herself)—is a stay-at-home mom who, somewhere between diapers and organic carrot purée, begins to suspect she’s turning into a dog. Yes, a dog. Literally. But make it fashion. The film—based on Rachel Yoder’s novel—is a surreal, furious manifesto on modern motherhood, swaying between domestic... Read More |
 | DampyrMovie Review Dampyr – When Leather Jackets and Brooding Glares Save the World What do you get when you mix a brooding half-vampire hero, a war-torn Eastern European setting, and more leather than a 2000s rock concert? Dampyr, of course — the movie adaptation of the Italian comic that dares to ask, "What if Blade had an emo cousin who just discovered his powers… and feelings?" The plot is delightfully familiar: Harlan is part-human, part-vampire, and 100% allergic to joy. He teams up with a grumpy soldier and a suspiciously stylish blonde vampire (because even monsters have fashion sense), to fight an ancient evil that looks... Read More |
 | Blood and Black LaceMovie Review Considered one of the pillars of Italian horror cinema, Blood and Black Lace is a visual masterpiece that marked the birth of the giallo all’italiana subgenre. Directed by maestro Mario Bava, the film is an explosion of style, saturated colors and sharp shadows that transform a story of serial murders into a work of visual art. The plot is typically whodunit, but Bava stands out for his innovative use of light and composition of the shot, making each scene a macabre and fascinating tableau. On a narrative level, the plot is perhaps less surprising for the modern viewer, but its visual impact and the tense and... Read More |
 | From Beyond the GraveMovie Review From Beyond the Grave - The Film That Will Make You Rethink Shopping at Thrift Stores Have you ever thought about buying a vintage item and worrying that it might be cursed? No? Well, after watching From Beyond the Grave, you might start thinking twice before haggling with an antique dealer who looks as sinister as Peter Cushing. This little gem of British horror takes us through an anthology of tales that feel like episodes of The Twilight Zone, but with that unmistakable ‘70s touch—questionable fashion choices, homemade special effects, and actors delivering performances with the enthusiasm of someone paying off... Read More |
 | The Neon DemonMovie Review I’d be remiss not mention Jena Malone’s performance, which many will likely call “brave” and provocative for one scene in particular, but she deserves credit for the less flashy scenes as well. At any given moment the supporting women threaten to steal the movie from the protagonist, which is ironic considering the narrative. Needless to say everyone is well cast, even Reeves who provides much needed humour and levity just by being there. The Neon Demon is not for the faint of heart (or those with a sensitivity to strobing... Read More |
 | JudyMovie Review Let me start off this review by saying that I am not a fan of clowns. I don’t mean that in a “I flip out when I see them, they’re so scary” kind of way. I mean that I think they’re boring and overused. Thanks to Stephen Kings’ Pennywise (from It) and northern Illinois’ John Wayne Gacy, we’ve been inundated with clowns in our horror for the past thirty years, and every time it looks like they’re going away, they’re right back in our faces with the Insane Clown Posse and a flood of unoriginal, over-the-top clowns-as-killers horror films. It’s rare that any movie with clowns in it will leave a good impression on me anymore. And... Read More |
 | vadim grassiInterview Vadim Grassi is an emerging young Italian director and photographer originally from Melzo, in the province of Milan. He is mainly known within the local artistic circuit and on social networks for his work related to independent short films, as well as fashion, portrait, and beauty photography. Biography and Early Steps Vadim grew up in Melzo, where he first developed a passion for the world of images and videos. He joined the Gruppo Artistico Melzese (G.A.M.) as a member and artist, exhibiting his work and sharing his passion within the local community. Work as a Director At the age of 24, Vadim made his directorial debut... Read More |
 | alberto gelmiInterview Alberto Gelmi is a young director from Turin, passionate about horror cinema since childhood. His connection with film began through collecting home videos and constantly seeking out rare and underground titles, which from the very start fueled his curiosity for the most extreme and independent forms of the seventh art. At 23, he enrolled in a small film academy in Milan, where he began experimenting with the camera and developing his own visual language. He completed his studies by presenting New Entry, a short film inspired by the world of fashion — an environment in which he had worked as a videomaker during those years —... Read More |
 | Barbara MagnolfiInterview Born in France to an Italian father and a French mother, Barbara Magnolfi grew up in Rome, where classical dance entered her life at an early age. She began studying ballet at the age of four and, while still a child, rose to the rank of lead ballerina. Her transition to cinema came early and almost by chance: at thirteen she was discovered by director Antonio Pietrangeli, who cast her on the spot in Come, Quando, Perché. It marked the beginning of a path that felt both natural and inevitable in front of the camera. In the 1970s, after a period working as a high-fashion model for prestigious ateliers and major advertising... Read More |