nightmare
 | The babyMovie Review From the first shots of “The Baby” you can feel a whisper of madness, as if the camera were peering through a crack in the soul. The corridor to the nursery is lit by an unnaturally warm light, but at the center is him: a man trapped in a grotesque baby suit, crying a strangled and inarticulate moan, clinging to wooden bars like an anchor of despair. The protagonist, Ann (Anjanette Comer), is dragged into this ghostly asylum of horrors with the lightness of a breeze, but here her smile cracks. The walls, covered in peeling wallpaper, seem to pulsate with visionary memories: muffled voices, ghostly laughter, the cries of... Read More |
 | The Autopsy of Jane DoeMovie Review The Autopsy of Jane Doe is a small gem of contemporary horror cinema, a film that manages to combine classic suspense with an intelligent use of the supernatural. Directed by Norwegian filmmaker André Øvredal, the film sits halfway between forensic thriller and occult nightmare, maintaining a claustrophobic and refined tension throughout most of its runtime. The story unfolds almost entirely in a morgue, where a father and son (Brian Cox and Emile Hirsch, both in top form) are tasked with examining the body of a young woman found mysteriously intact at a scene of brutal carnage. It is precisely the paradox between the... Read More |
 | Black MoonMovie Review "Black Moon" is a work that stands out for its originality and its ability to tackle themes such as sexuality, violence, and social disintegration. The film is characterized by a non-linear narrative and an atmosphere of dream and nightmare. The images are suggestive and oneiric, with a clever use of light and color to create an atmosphere of tension and anxiety. Cathryn Harrison's performance is remarkable, and her interpretation of Lily is fragile and sensitive. Therese Giehse is also excellent in the role of the mysterious woman, and her presence on screen is magnetic and unsettling. The film is also notable for... Read More |
 | Burnt OfferingsMovie Review Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing. A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to completely subjugated by the influence of the house. Oliver... Read More |
 | Prince of DarknessMovie Review John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark... Read More |
 | Dark WaterMovie Review An American adaptation of the 2002 Japanese film of the same name, directed by Hideo Nakata and based on the novel by Koji Suzuki (both known for The Ring saga), Dark Water marks Walter Salles' debut in genre cinema. The Brazilian director, already internationally appreciated for Central do Brasil and The Motorcycle Diaries, tries his hand here at a psychological thriller with dark and distressing atmospheres. The setting plays a fundamental role in building the tension: Roosevelt Island, an isolated strip of land in the waters of the East River in New York, presents itself as an oppressive place, dominated by gloomy... Read More |
 | Halloween EndsMovie Review The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | The Deep HouseMovie Review Yet another reinterpretation of haunted houses but rather original because the ghosts emerge from the bottom of the abyss this time. A high-tension film that involves you in first person... together with the protagonists we will always be underwater and we will feel like we can't breathe, we will feel trapped without the possibility of resurfacing... Highly not recommended for those who suffer from hydrophobia. The film is technically excellent and visually very beautiful and even if the story is simple and the characters stereotyped it still does not bore, perhaps also because of the short duration. The underlying message is a... Read More |
 | OldMovie Review Adaptation of a French graphic novel "Sand Castle" that Shyamalan wanted to make at all costs but with little means available. It is a low-budget film, and this is evident from the, unfortunately, anonymous cast. Too bad with at least one star as the protagonist surely the final result would have been even more interesting, however excellent psychological thriller/horror, distressing and at times chilling even if there is little of true horror ... It is an allegorical film that makes you reflect on critical themes for everyone such as the nature of time that passes inexorably, pain and mortality. |
 | Scream VIMovie Review Sixth chapter of "Scream", and I would say it would be better to end it here, so as not to bore and above all disappoint those, like me, who strongly loved the film created in 1996 by the genius of Wes Craven, already a cult author with "Nightmare". That film invented a real genre of its own, mixing together slasher, teen movie and black comedy, and became a cult object for the millennial generation and beyond. Returning to this last episode that moves the story from the province to the big city in an attempt to make itself more fascinating in the eyes of teenagers, it is perhaps the worst of the entire saga, 2... Read More |