Watch horror Movies for free with Amazon Prime

6-Headed Shark Attack

6-Headed Shark Attack review
2018
4
Director: 
Mark Atkins

SYNOPSIS: 

What is supposed to be a marriage boot camp on a remote island turns into the ultimate test for survival when a 6-headed shark starts attacking the beach. Trapped with minimal weapons they try to fight off the shark, but quickly discover that no one is safe in the water or on land.

REVIEW: 

As any die-hard Jaws fan can tell you, it’s just not summer without at least one good (or better yet, not so good) shark movie to take in over a six pack and some popcorn. This year brought us 6-Headed Shark Attack, the latest of Asylum’s campy sequels to 2012’s low-budget 2-Headed Shark Attack. The film is directed by Mark Atkins (Sand Sharks, Planet of the Sharks) and stars Chris Fisher, Jonathan Pienaar, Brandon Auret, and Meghan Oberholder.

Whether horror fans have seen the films in the Shark Attack series or not, they’re likely pretty familiar with The Asylum. The indie film company is notorious among genre lovers for producing low-budget, ultra-cheesy, direct-to-video films that shamelessly attempt to capitalize on glossier productions from bigger studios and 6-Headed Shark Attack is hardly an exception. Like the previous Shark Attack films, as well as the better-known films in Asylum’s Sharknado franchise, this film is exactly the type of viewing it sounds like it would be. Whether or not that’s a good thing or a bad thing depends on how you feel about B-movies in general.

The premise of 6-Headed Shark Attack finds the next batch of victims hanging out on a remote island. They’re there to attend a marriage boot camp, so it’s probably not surprising that they’re not exactly prepared for a multi-headed shark attack. However, that’s exactly what they get when the titular monster begins launching its attack on the beach and surrounding waters, proving in the process that this time there’s nowhere to hide (even on dry land).

Fans of Asylum’s Shark Attack series are no doubt curious as to how concept designers planned to fit yet another head onto a new monster shark. (As it was, 5-Headed Shark Attack was forced to place the new head at the end of the shark’s tail.) They should prepare to be impressed by the starfish-shaped 6-headed shark for sure, especially when its unique shape allows it to attack on land as efficiently as it does in the water. This newest shark also has the miraculous ability to heal itself, which makes for some pretty far-fetched scenes to say the least. Some will make you groan heartily, others will make you laugh, but a few might actually impress you with their sheer creativity.

In other words, 6-Headed Shark Attack isn’t exactly fine cinema, but it hardly claims to be. Movies like this – especially when they’re sixth sequels --  are made solely to entertain. The fun of watching them lies in seeing how far over the top the antics can actually go and like the other Shark Attack films before it, this one doesn’t disappoint. It works because it delivers what it promises without trying to pull a switcheroo and that’s exactly what fans of Asylum productions are looking for. That being said, if you’re a fan of others in the same series (or campy creature films in general), this one is definitely worth your time. Give it a shot the next time you’re looking for some cheesy, crazy fun that doesn’t take itself too seriously.

OTHER MOVIES REVIEWS

Fright Night

2011

Fright Night (2011) is a slick, modern reimagining of the 1985 cult vampire classic, bringing fresh energy while respecting the original’s spirit. Directed by Craig Gillespie, the film masterfully blends horror, black comedy, and action, creating a tense yet entertaining experience. The story follows Charley Brewster (Anton Yelchin), a high school student living in a quiet Las Vegas suburb, whose life takes a terrifying turn when his enigmatic new neighbor, Jerry Dandrige (Colin Farrell), turns out to be a vampire. Farrell delivers a charismatic yet chilling performance,... Read More

Circus of Horrors

1960

Circus of Horrors (1960), directed by Sidney Hayers, is a chilling British horror gem blending grotesque circus spectacle with psychological terror. Anton Diffring delivers a magnetic performance as a plastic surgeon turned ringmaster, whose traveling circus becomes a cover for dark deeds. The film’s vibrant Technicolor visuals contrast sharply with its macabre themes, creating an unsettling, almost surreal atmosphere. With knife-throwing acts, slithering snakes, and eerie backstage secrets, it captures the essence of 1960s horror—stylized, suspenseful, and brimming with... Read More

rosemary's baby

1968

Roman Polanski’s Rosemary’s Baby (1968) stands as one of the most influential psychological horror films ever made, masterfully combining creeping dread with social commentary. Based on Ira Levin’s novel, the story unfolds in a deceptively ordinary New York apartment building, where newlyweds Rosemary and Guy Woodhouse settle into what appears to be a perfect new life. The film’s brilliance lies in its slow and deliberate pacing, allowing paranoia to grow organically as Rosemary, portrayed with heartbreaking vulnerability by Mia Farrow, begins to suspect that her overly... Read More

Under the Skin

2013

Under the Skin (2013), directed by Jonathan Glazer and starring Scarlett Johansson, is a hauntingly surreal and minimalist sci-fi film that explores alienation, identity, and human vulnerability. Johansson plays an extraterrestrial disguised as a woman who seduces and captures lonely men in Scotland. The film is visually mesmerizing and unsettling, with a chilling score and experimental narrative that challenges conventional storytelling. Johansson’s detached yet captivating performance enhances the eerie atmosphere, making the film a hypnotic meditation on what it means... Read More

The Rule of Jenny Pen

2024

The Rule of Jenny Pen is a deeply unsettling and visually arresting psychological thriller that lingers in the mind long after the credits roll. Directed with chilling precision by James Ashcroft, the film delves into the frailty of memory, the weight of guilt, and the terror of repressed trauma. With powerhouse performances by John Lithgow and Geoffrey Rush, the story unfolds like a slow-burning nightmare, where reality constantly blurs and no one is truly innocent. The stark, shadow-filled visuals mirror the characters' descent into psychological torment, while the eerie... Read More