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High-Rise

2015
8
Director: 
Ben Wheatley

SYNOPSIS: 

A young doctor moves into a modern apartment block in suburban 1975 London. Drugs, drink, and debauchery dissolve into murder, mayhem, and misogyny.

REVIEW: 

The Dark Side of Progress

Directed by Ben Wheatley and based on the visionary novel by J.G. Ballard, High-Rise is a disturbing descent into urban anarchy and human madness, disguised as architectural progress. Behind the brutalist façade of the high-rise – a symbol of modernity and luxury – lies a horror story masked as social satire.

A disturbing, claustrophobic atmosphere

From the very beginning, the film conveys a constant sense of unease. The closed-off setting of the tower, with its oppressive architecture, contributes to a lingering discomfort. Each floor represents a social class, and the higher you go, the deeper you descend into depravity.

The most horrific moments

1. The chaos of domestic self-sufficiency:
When the elevator stops working and resources begin to dwindle, the tower transforms into a post-apocalyptic nightmare. Hallways become tribal battlegrounds, with residents fighting over garbage bags and running water.

2. Social breakdown and symbolic cannibalism:
A particularly disturbing moment occurs when tenants abandon all sense of civilization. Assaults, torture, sexual violence, and even scenes suggesting metaphorical cannibalism follow – man devouring man to maintain social status.

3. Suicide and the falling body:
The image of a man falling to his death – already suggested on the film poster – is one of the most iconic and tragic scenes in the movie. It symbolizes not only a loss of control, but the downfall of society itself.

4. The protagonist’s mental alienation:
Tom Hiddleston plays Dr. Robert Laing, who starts as an outside observer but gradually becomes part of the building's descent into madness. His growing detachment from reality, marked by hallucinations and psychotic episodes, adds a strong psychological horror element.

High-Rise doesn’t use horror in a conventional sense, but rather exposes the inherent brutality of modern society when stripped of order. It’s unsettling, visually powerful, and deeply nihilistic. Though not a traditional horror film, it disturbs the viewer in more subtle and lasting ways.
An architectural nightmare on the fragility of civilization.

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