 | Blood and Black Lace 1964 Considered one of the pillars of Italian horror cinema, Blood and Black Lace is a visual masterpiece that marked the birth of the giallo all’italiana subgenre. Directed by maestro Mario Bava, the film is an explosion of style, saturated colors and sharp shadows that transform a story of serial murders into a work of visual art.
The plot is typically whodunit, but Bava stands out for his innovative use of light and composition of the shot, making each scene a macabre and fascinating tableau.
On a narrative level, the plot is perhaps less surprising for the modern viewer, but its visual impact and the tense and decadent... Read More |
 | The Autopsy of Jane Doe 2016 The Autopsy of Jane Doe is a small gem of contemporary horror cinema, a film that manages to combine classic suspense with an intelligent use of the supernatural. Directed by Norwegian filmmaker André Øvredal, the film sits halfway between forensic thriller and occult nightmare, maintaining a claustrophobic and refined tension throughout most of its runtime.
The story unfolds almost entirely in a morgue, where a father and son (Brian Cox and Emile Hirsch, both in top form) are tasked with examining the body of a young woman found mysteriously intact at a scene of brutal carnage. It is precisely the paradox between the apparent... Read More |
 | Presencias 2022 Presencias is a supernatural thriller that blends classic gothic aesthetics with a modern, psychologically unsettling narrative. Set in an isolated house deep in the woods, the film plays on the duality between what is seen and what is hidden—aptly hinted at by the striking poster, where a mirrored image reveals the disturbing element: an upside-down figure, symbolizing a world turned inside out, where reality loses all certainty.
Luis Mandoki’s direction—known for his emotionally resonant touch even in tense dramas—serves the tone of psychological horror well here, with an atmosphere thick with suspense and a haunting score... Read More |
 | What We Do in the Shadows 2014 Welcome to the world of vampires... but not the ones you think! "What We Do in the Shadows" is a 2014 mockumentary film directed by Taika Waititi and Jemaine Clement, that will make you laugh and fall in love with the most awkward and hilarious vampires in cinema history!
The story follows the lives of four vampires who share an apartment in Wellington, New Zealand. There's Viago (Taika Waititi), the oldest and most responsible vampire; Deacon (Jonathan Brugh), the rebellious and rock-loving vampire; Vladislav (Jemaine Clement), the darkest and most menacing vampire; and Petyr (Ben Fransham), the strangest and most unsettling... Read More |
 | Night Watch 1973 "Night Watch" is a film that skillfully plays with the sense of paranoia and suspense, immersing the viewer in a gothic and claustrophobic atmosphere. Elizabeth Taylor offers an intense performance, making the protagonist's growing state of anxiety and confusion believable. The director makes the most of the psychological tension, maintaining the ambiguity between hallucination and reality until the final twist.
The aesthetic of the film recalls classic gothic thrillers with dark houses, torrential rains and a constant sense of impending menace. Although it can be slow at times, the narrative crescendo and the shocking ending... Read More |
 | The Addiction 1995 Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul.
Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and Heidegger. Lili Taylor offers an intense performance,... Read More |
