Pantafa – The Breath Stealing Witch
Marta is an independent and career-oriented woman. Her daughter Nina suffers from sleep disorders, which leads Marta to move to the mountain village of Malanotte. Adjusting to that life turns out to be more difficult than expected.
"Pantafa" is a gem of Italian horror cinema, a film that masterfully blends ancient folklore with a modern, unsettling visual aesthetic. Directed with intensity and precision by Emanuele Scaringi, the film plunges us into a nightmare set deep in the woods, where the line between reality and dream dissolves into pure dread.
Kasia Smutniak is outstanding: her performance is intense, believable, and deeply emotional. She portrays a tormented mother with both vulnerability and strength, captivating the audience from the very first scenes. Her bond with her daughter is the emotional core of the film and makes the terror even more visceral and human.
The real strength of Pantafa, however, lies in its atmosphere. The cinematography is dark and dreamlike, with masterful use of light and shadow that traps the viewer in a constant state of tension. The figure of the "breath-stealing witch" is both terrifying and fascinating—a powerful metaphor for trauma, ancestral fears, and helplessness in the face of the unknown.
Scaringi’s direction is sharp, elegant, and never predictable. Every shot is meticulously crafted and contributes to building a dark and magnetic narrative world. The soundtrack, subtle and haunting, perfectly accompanies the emotional crescendo and the slow descent into the nightmare.
"Pantafa" is more than just a horror film—it’s a story about motherhood, loneliness, illness, and deep human connection. It manages to frighten, but also to move and provoke reflection. It’s a film that lingers in your mind and heart, and a shining example of how Italian cinema can still tell horror stories with both style and substance.