Horror Movies Reviews
 | The Abominable Dr. Phibes1971The Abominable Dr. Phibes, directed by Robert Fuest, is a jewel of British horror cinema that combines gothic, grotesque and black humor in a fascinating and macabre mix. Played by a charismatic Vincent Price, the film tells the story of the eccentric and brilliant Dr. Anton Phibes' revenge against the doctors he believes are responsible for his wife's death. The plot develops as a series of murders inspired by the plagues of Egypt, an idea as ingenious as it is disturbing, which gives life to visually surprising sequences. The baroque aesthetic, with rich sets and... Read More |
 | Deep red1975Dario Argento, with Deep Red, creates one of the cornerstones of the Italian giallo, a film that mixes thriller and horror with a visual and narrative mastery that is still unmatched today. It was March 7, 1975 when it arrived for the first time in Italian cinemas, the film consolidated the director's success and laid the foundations for his unmistakable style, made of saturated colors, bold shots and a tension that grows until the final explosion. One of the most iconic aspects of the film is undoubtedly the soundtrack by Goblin, a mix of progressive rock and electronic... Read More |
 | Prince of Darkness1987John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to... Read More |
 | Inferno1980Inferno is the second chapter of the famous Three Mothers trilogy by Dario Argento, a work that fits into the esoteric horror genre with a strong visual and symbolic structure. Shot partly in the evocative setting of Rome, the film is configured as an intricate narrative and sensorial labyrinth, capable of surprising the viewer with sudden twists and disturbing atmospheres. However, despite the high technical and stylistic quality, the ending is perhaps the least convincing element of the entire film. The main strength of Inferno lies precisely in Argento's directorial... Read More |
 | Killer Klowns from Outer Space1988Killer Klowns from Outer Space it is a film made with little means but with great ingenuity by the Chiodo brothers. A mix of horror, thriller and science fiction that intrigues, disturbs and entertains. Despite being a b-movie, it pays homage to more famous films in fact the killer clowns are very reminiscent of "It" by Stephen King. The plot is simple: an alien spaceship shaped like a circus tent lands in Crescent Cove, from which clowns descend and capture the inhabitants to feed on them. Memorable is the scene in which one of them enchants the crowd with Chinese shadows... Read More |
 | Dark Water2005An American adaptation of the 2002 Japanese film of the same name, directed by Hideo Nakata and based on the novel by Koji Suzuki (both known for The Ring saga), Dark Water marks Walter Salles' debut in genre cinema. The Brazilian director, already internationally appreciated for Central do Brasil and The Motorcycle Diaries, tries his hand here at a psychological thriller with dark and distressing atmospheres. The setting plays a fundamental role in building the tension: Roosevelt Island, an isolated strip of land in the waters of the East River in New York, presents... Read More |
 | short night of glass dolls1971A classic of Italian horror, gothic and visionary, with a strong symbolic component. Aldo Lado signs a refined work, which combines mystery and political subtexts without being snobbish. Set partly in Prague, the film encountered bureaucratic obstacles, forcing the director to complete the shooting in Zagreb. Excellent cast, with Jean Sorel and a memorable Mario Adorf. |
 | Possession1981Horror cinema is full of films considered "cursed", initially censored or banned, but then become true cult films. This is the case of Possession, a film that at the time left even the most expert critics speechless. Difficult to classify, Possession is still a horror film: there are violent scenes, lots of fake blood, a monstrous creature and, above all, the representation of Evil in all its power. But it is also a much more complex film than the classics of the genre. In 1981, Żuławski was already an established director. The film begins by telling, with obsessive... Read More |
 | The House That Jack Built2018Yet another controversial and highly disturbing film, which confirms Lars Von Trier as a provocative and unconventional director. The House That Jack Built is an extremely raw authorial horror, designed for an audience with a strong stomach. The film follows a circular structure in which the color red is a recurring element. Von Trier mixes images of works of art, clips from documentaries on concentration camps, cartoons and fragments of his previous films, creating a complex interweaving of symbols and references. Through a powerful visual force, he tries to strike... Read More |
 | Schock1977The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director... Read More |
 | Cube1997I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its... Read More |
 | only lovers left alive2013If you are fascinated by the world of vampires, this extraordinary dark film is an essential viewing. The film tells the immortal love story between Adam and Eve, masterfully played by Tom Hiddleston and Tilda Swinton. Their afterlife is immersed in a decadent and melancholic atmosphere, where the beauty of art and knowledge clashes with the decadence of contemporary society. With a refined gothic aesthetic and a touch of biting irony, the film is configured as a poetic reflection on the crisis of modern humanity, incapable of preserving the wonders that it has been... Read More |
 | Strait-Jacket1964The film we are talking about is based on a story by the writer Robert Bloch, author of the famous horror masterpiece Psycho, a name that immediately evokes shivers and uneasiness. This film, however, is not supported by a particularly complex plot or by special effects that lift the skin, but rather by the extraordinary talent of the leading actress, Joan Crawford. In one of her last performances, Crawford stands as a central and dominant figure, a colossus of emotions that manages to convey to the viewer every single thrill, every anguish, every delirium that pervades... Read More |
 | The Hand1981A young Oliver Stone directs his second film, once again in the horror genre, in which the protagonist is an artist who faces a progressive psychotic deterioration, which will lead him to increasingly confront his dark side. Some moments are visually powerful, such as the use of black and white in the dream sequences; the violent scenes are well shot and satisfy fans of the genre. The whole thing is guided by the mastery of Michael Caine, who in this role can fully express his "histrionics", still managing to make it effective. The plot, although rather simple and at... Read More |
 | The Last Man on Earth1964The film, based on the famous novel by Richard Matheson I Am Legend, manages to recreate the atmosphere of the book well, despite the limited budget. The Italian director Ubaldo Ragona does a better job than the more famous Boris Sagal, who made The Omega Man a few years later. This is probably due to the fact that Vincent Price, very comfortable in an Italian co-production, surpasses the talented Charlton Heston. With his usual theatricality, Price offers a performance reminiscent of silent films, particularly effective in the part where he is alone, for half the film.... Read More |
 | Repulsion1965The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the... Read More |
 | Don't Look Now1973A suggestive and deeply layered reinterpretation of a universal fairy tale like Little Red Riding Hood, which finds in its protagonists, Donald Sutherland and Julie Christie, two extraordinary interpreters. However, the director eludes any predefined scheme, escapes conventions and leads the viewer on a labyrinthine, almost subliminal path. What on the surface seems like a parapsychological horror, complete with a hunt for a serial killer, actually turns out to be a work of extraordinary complexity: an investigation into the reworking of grief within a couple, into the... Read More |
 | Magic1978A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable. Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the... Read More |
 | Hush... Hush, sweet Charlotte1964It was supposed to be the natural sequel to the cult film "What Ever Happened to Baby Jane?", but Joan Crawford backed out, and Robert Aldrich, also a producer, chose Olivia de Havilland as a replacement, giving her a role far from her usual "women in distress". Once again based on a novel by Henry Farrell, the film does not reach the originality and impact of its predecessor, but it remains one of the best products born in the wake of that success. Not only for the remarkable performance of Bette Davis but also for the intricate plot, centered on the psychological duel... Read More |
 | Les Yeux sans visage1960Based on the novel of the same name by Jean Redon, this little gem that lasts just over an hour is a fundamental film for the development of modern horror, among all it has inspired John Carpenter's "halloween". The film is poetic but also damn cruel in its elegant black and white, the scene of the surgical operation anticipates today's extreme cinema by a long way, in fact the critics of the time called it vile and gruesome... But the film is above all a horror with strong psychological elements. At the center of the story are the sense of guilt, an unhealthy gratitude... Read More |