evil
 | Drag Me to HellMovie Review A grotesque descent into moral abyss disguised as supernatural horror. Drag Me to Hell is not just a horror film: it's a cruel parable about judgment and guilt wearing the grotesque mask of a curse. Sam Raimi, with his unmistakable blend of the absurd and the disturbing, crafts a work that crawls under your skin—not because of its demons, but because of the unsettling doubt it leaves behind: how much evil can a good person do to get what they want? The film walks a fine line between genuine terror and deliberately exaggerated farce. The special effects, intentionally old-school at times, harken back to the cult... Read More |
 | HouseMovie Review "House" – Where Horror Rings the Doorbell (With a Rotten Finger!) If you thought moving was stressful, wait until you see what happens when Roger Cobb opens the door of his house in House! This little gem from the '80s mixes horror, comedy, and a touch of pure madness with the charm of a film that knows not to take itself too seriously – and that’s exactly why it works so well. Imagine being a tormented ex-soldier and writer who moves into his late aunt’s old house… only to find the place is more haunted than a paranormal convention. Doors opening by themselves? Check. Zombie hands ringing the doorbell? Check.... Read More |
 | The ChurchMovie Review The Church is a refined example of late 1980s Italian horror that masterfully blends gothic atmosphere, religious symbolism, and dreamlike visions into a hypnotic and unsettling cinematic experience. Directed by Michele Soavi, a protégé and collaborator of Dario Argento, the film showcases surprising stylistic maturity and marks a significant evolution of the genre beyond the traditional giallo/horror framework. The plot centers around a cathedral built atop a medieval mass grave of heretics, and the ancient evil buried beneath its foundations, waiting to be unleashed. But The Church is much more than a simple story of... Read More |
 | DampyrMovie Review Dampyr – When Leather Jackets and Brooding Glares Save the World What do you get when you mix a brooding half-vampire hero, a war-torn Eastern European setting, and more leather than a 2000s rock concert? Dampyr, of course — the movie adaptation of the Italian comic that dares to ask, "What if Blade had an emo cousin who just discovered his powers… and feelings?" The plot is delightfully familiar: Harlan is part-human, part-vampire, and 100% allergic to joy. He teams up with a grumpy soldier and a suspiciously stylish blonde vampire (because even monsters have fashion sense), to fight an ancient evil that looks... Read More |
 | The AddictionMovie Review Directed by Abel Ferrara, The Addiction is a vampire film that transcends the confines of the horror genre to explore philosophical and metaphysical themes related to sin, addiction and the nature of evil. Shot in evocative black and white, the film is a visceral meditation on the loss of free will and the corruption of the soul. Ferrara uses vampirism as a metaphor for addiction and self-destruction, recurring themes in his filmography. The film is deeply influenced by existentialist thought and nihilism, with frequent references to philosophers such as Nietzsche and Heidegger. Lili Taylor offers an intense performance... Read More |
 | Burnt OfferingsMovie Review Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing. A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to completely subjugated by the influence of the house. Oliver... Read More |
 | Prince of DarknessMovie Review John Carpenter is a master at transforming primal fears into unforgettable cinematic experiences, Prince of Darkness is one of his most disturbing and underrated films. With a mix of metaphysical horror, science fiction and paranoia, the director drags us into a nightmare that defies logic and faith, playing with the concept of absolute evil and the fragility of human perception. Carpenter creates a claustrophobic and unhealthy atmosphere, in which the tension grows inexorably. The masterful use of shots and the soundtrack – composed by Carpenter himself – contribute to creating a sense of constant menace. The dark... Read More |
 | Lord of MisruleMovie Review Bland horror that mixes paganism, thriller and folklore of British popular traditions. The story recalls the 1973 film "The Wicker Man" with Christopher Lee |
 | Halloween EndsMovie Review The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | GhostlandMovie Review 10 years after the traumatic and now cult work "Martyrs", French director Pascar Laugier returns with a rural horror film -home invasion- that takes place within the walls of an old house populated by dolls and lace. |