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![]() | I Sell the DeadMovie Review A Masterpiece of Macabre CraftsmanshipWhile modern horror often loses itself in soulless CGI and predictable jump scares, "I Sell the Dead" (2008) by Glenn McQuaid emerges as a beacon of creativity and genuine love for the genre. It is a film that drips with passion for classic Gothic cinema, channeling the foggy atmospheres of Hammer Films and the atmospheric spirit of Amicus, while injecting a massive dose of dark humor and modern charisma. The absolute strongest point is the aesthetic. The movie feels like an EC Comic brought to life: the colors are saturated, the sets are grimy and mud-caked, and the... Read More |
![]() | 28 Years LaterMovie Review Return of the Masters. |
![]() | An American Werewolf in LondonMovie Review "An American Werewolf in London" is far more than a simple horror film: it is a cinematic gem that skillfully blends the rawest terror with unexpected and brilliant black humour, creating a unique and unparalleled experience that has stood the test of time beautifully. John Landis, at the peak of his career, directs a work that perfectly balances the horror of the werewolf myth with a disarming and ironic sense of everyday life. The absolute greatest strength of the film lies in the practical... Read More |
![]() | DraculaMovie Review Luc Besson’s Dracula is an ambitious and visually stunning reinterpretation of Bram Stoker’s immortal classic. The film brings the timeless gothic tale into a modern cinematic vision without losing the essence of its haunting atmosphere. From the very first frame, the movie captivates with its dark elegance, refined cinematography, and breathtaking production design. The story follows the mysterious Count Dracula, who emerges from the shadows of his ancient castle to pursue love, immortality, and revenge. Jonathan Harker, Mina, and Van Helsing are reimagined with intensity and depth, each character enriched by nuanced... Read More |
![]() | High-RiseMovie Review The Dark Side of Progress Directed by Ben Wheatley and based on the visionary novel by J.G. Ballard, High-Rise is a disturbing descent into urban anarchy and human madness, disguised as architectural progress. Behind the brutalist façade of the high-rise – a symbol of modernity and luxury – lies a horror story masked as social satire. A disturbing, claustrophobic atmosphere From the very beginning, the film conveys a constant sense of unease. The closed-off setting of the tower, with its oppressive architecture, contributes to a lingering discomfort. Each floor represents a social class, and the higher you... Read More |
![]() | RepulsionMovie Review The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the world is changing, but remains tied to traditional values.... Read More |
![]() | Glenn McQuaidInterview Glenn McQuaid is an Irish filmmaker and writer from Dublin. His debut feature, I Sell the Dead (2008), became a festival favorite for its fresh take on classic horror. In 2011, he co-created the audio series Tales from Beyond the Pale with longtime collaborator Larry Fessenden, producing more than fifty original works. His other credits include the "Tuesday the 17th" segment of V/H/S (2012). McQuaid's latest feature, The Restoration at Grayson Manor, was produced by Fantastic Films in Ireland and continues his focus on character-driven, emotionally charged genre storytelling. |
![]() | Guglielmo FavillaInterview Guglielmo Favilla (born 1981, in Livorno) is an Italian actor, director, and screenwriter. A graduate of the Centro Sperimentale di Cinematografia, he has worked across theater, film, and television. Known for his versatility, he gained recognition in the horror genre with "Eaters" (2010), "Extreme Jukebox" (2013), "Stellastrega" (2018), and Dario Argento’s "Dark Glasses" (2022), where he played Jerry. Also active as a voice actor and writer, Favilla moves effortlessly between dramatic and comedic roles. He continues to collaborate with independent filmmakers and Italian productions,... Read More |
![]() | Golden Nightmares: A History of Horror at the Academy AwardsHorror News Historically, the horror genre has had a complicated relationship with the Oscars, but there have been several landmark moments where these films managed to triumph. Here are the most significant cases: The Big Winners (Major Categories) The Silence of the Lambs (1991): It is the only horror film (though often classified as a psychological thriller) to win the "Big Five": Best Picture, Best Director, Best Actor, Best Actress, and Best Adapted Screenplay. The Exorcist (1973): This was the first horror film ever nominated for Best Picture. It took home two statues: Best Adapted Screenplay and Best Sound.... Read More |
![]() | Alan Rickman will star on The Limehouse GolemHorror News After 10 years in Harry Potter films facing all manner of fantastic beasts, Alan Rickman will once again deploy his signature brand of contempt on a magical creature. This one has it coming, though. According to Deadline, the actor has joined Olivia Cooke (Bates Motel) and Douglas Booth (Jupiter Ascending) in an adaptation of Peter Ackroyd’s best-selling novel Dan Leno And The Limehouse Golem. The film, which will be called The Limehouse Golem, is set in 1880s London, where a series of murders has shaken the community to the point where people believe the crimes are the work of a golem, a mystical creature... Read More |











