possession
 | When Evil LurksMovie Review "When Evil Lurks" is an overwhelming and relentless work that bravely steps away from the subgenre's clichés. Director Demián Rugna plunges us into a ruthless and visceral rural nightmare, establishing from the very first minutes that the rules are different here: there are no exorcist priests, no comforting prayers, and no easy way out. There is only a primal Evil, contagious like a virus and incomprehensible, spreading illogically and mercilessly. What makes the film exceptional is its brutality and honesty in depicting horror.... Read More |
 | CHRISTINEMovie Review John Carpenter’s Christine (1983), based on Stephen King’s novel, transforms a 1958 Plymouth Fury into an icon of supernatural horror. With a perfect blend of atmosphere, paranoia, and teenage obsession, Carpenter crafts a chilling story about possession, love, and destruction. The pulsating synth score, stylish direction, and menacing car sequences turn a classic vehicle into a relentless predator. Christine is not just a horror film but also a metaphor for toxic obsession, loneliness, and the dangers of giving your soul to something you can’t control. |
 | The Conjuring: Last RitesMovie Review The Conjuring: Last Rites is positioned as the climactic conclusion to one of the most successful and beloved horror franchises of modern cinema. It carries the weight of closing the story of Ed and Lorraine Warren, the real-life paranormal investigators who have become cultural icons thanks to James Wan’s terrifying cinematic universe. Unlike other horror series that fizzle out, this film embraces its legacy with a powerful mixture of emotional depth, gothic atmosphere, and relentless scares that keep the audience tense until the very last frame. What makes Last Rites stand out is its maturity: it’s not just about jump... Read More |
 | NocturneMovie Review “Nocturne” is an elegant and unsettling psychological thriller that delves into the shadows of artistic ambition and the dangers of sibling rivalry. Directed by Zu Quirke in her debut feature, the film is part of the "Welcome to the Blumhouse" series and stands out for its refined and eerie aesthetic, reminiscent of Black Swan, yet with a voice of its own. The film explores female rivalry in a highly competitive setting, addressing themes of identity, jealousy, and the cost of genius. The atmosphere is cold and composed, with shots as precise and symmetrical as piano keys, and the soundtrack plays as crucial a role in the... Read More |
 | The ChurchMovie Review The Church is a refined example of late 1980s Italian horror that masterfully blends gothic atmosphere, religious symbolism, and dreamlike visions into a hypnotic and unsettling cinematic experience. Directed by Michele Soavi, a protégé and collaborator of Dario Argento, the film showcases surprising stylistic maturity and marks a significant evolution of the genre beyond the traditional giallo/horror framework. The plot centers around a cathedral built atop a medieval mass grave of heretics, and the ancient evil buried beneath its foundations, waiting to be unleashed. But The Church is much more than a simple story of... Read More |
 | ImmaculateMovie Review Religious horror without demoniacs or exorcisms, played by the new American movie star Sydney Sweeney who also produces here and is the fulcrum of this film... she is perfect in the role with her angelic face that however in the ending, now a cult of this film, is transfigured thus becoming a great "scream queen" almost on the level of Isabelle Adjani in "Possession". |
 | The Pope's ExorcistMovie Review An investigative horror/thriller with strong supernatural undertones, but for those expecting something similar to the famous 1973 Exorcist, you will be disappointed, this is a much lighter product and I say thank goodness! The entire staging is on the shoulders of a self-deprecating, charming and effective protagonist, aided by a bass drum of special effects especially in the second part, arriving at an almost grotesque ending. Ultimately I would say a film with a high level of entertainment and often even funny that does not want to offer anything more than that. |
 | Late Night with the DevilMovie Review Late Night with the Devil by directors Cameron and Colin Cairnes uses a retro TV show setting to create an unnerving atmosphere that draws viewers into a slowly intensifying horror. The film’s attention to detail, from the 70s grainy footage style to shifting between black-and-white and color, sets the tone perfectly. The clever cinematography immerses audiences as if they’re watching a live broadcast unraveling in real time, a technique that intensifies the suspense, especially during the eerie "commercial breaks." David Dastmalchian’s portrayal of Jack Delroy is a highlight, conveying both desperation and a... Read More |
 | The ShrineMovie Review The Shrine is the type of film that comes complete with lots of familiar horror tropes an avid genre lover will recognize. You’ve got the mysterious disappearance of a traveler under mysterious circumstances, as well as a team of people seeking answers as to the details of those circumstances. You’ve got a remote village in a foreign land populated by strange people who raise an eyebrow or two thanks to their mysterious beliefs and practices. Scares, jumps, and mysteries abound as the protagonists attempt to make sense of it all. Given those facts, the plotline of... Read More |
 | Annabelle: CreationMovie Review "Annabelle: Creation" falls in accordance with the advanced awfulness wave. It's the fourth film in "The Conjuring" serie — and the second spinoff to focus on Annabelle, a freaky-looking doll that resembles the Victorian-period cousin of "Child's Play's" Chucky — and it has every one of the components of a contemporary frightfulness hit, including the frightening doll, the spooky (or spooked out) kids and the house that is too huge not to be alarming during the evening. |