Whether you’re the type of person who loves remakes or simply the type who loves to hate them, it’s highly likely that 2019’s Pet Sematary is on your radar for one reason or another if you’re into horror. It’s directed by Kevin Kölsch and Dennis Widmyer (who also directed Starry Eyes) and is, of course, a reboot of the classic Stephen King film... Read More
There are movies that take their time building a mood and movies that pull you right into their carefully crafted worlds pretty much right away. John Krakinski’s A Quiet Place is definitely the latter. The first thing the viewer sees is a barefoot family scavenging for supplies in the middle of an abandoned supermarket. However, they’re doing so completely silently – not exactly average for a family that includes three children. We’re promptly informed via a title card that we’re on “Day 89” of whatever’s going on and with that, our journey into this very quiet world... Read More
Horror films at their very best successfully tap into the primal fears and apprehensions of its audience. They not only remind us of the things we’re afraid of but challenge us to ask why they make us so afraid. They also inspire us to contemplate whether or not falling victim to our worst fears is something that can be avoided, and if so, at what cost. If that’s the kind of horror film you absolutely love, then It Follows was definitely made with you in mind.
It Follows made its debut at the 2014 Cannes Film Festival and was later distributed by... Read More
Naturally, no summer would be complete without a glossy, action-packed blockbuster or two for the theater goers among us to gasp over, right? Creature feature fans, not to mention people that have been patiently waiting decades for the next Jaws, have been especially excited for the recent premiere of The Meg. But is The Meg really worth your hard-earned cash and limited spare time or is it more likely to leave you feeling all wet?
THIRTEEN WOMEN (1932) Thirteen sorority sisters receive letters from a clairvoyant foretelling their demise. Unbeknownst to the ladies, Ursula Georgi, a half Javanese* Eurasian woman with strong powers of persuasion, is the one behind those doomsday oracles. An outcast because of her mixed-race origins (yeah, this one is pretty racist too), Ursula seeks revenge on the girls whose torment forced her to leave school. Using mind control, Ursula exacts her retaliation by manipulating them to kill themselves and each other. THIRTEEN WOMEN was one of the first films to feature an almost entirely female... Read More