thriller
![]() | SchockMovie Review The latest cinematic chapter of the Italian master Mario Bava, Shock, presents itself as a farewell to his directorial career, emerging from a decade marked by a rebirth of Italian cinema imbued with anger, ambiguity and a fascination for the macabre. The film, a cross between giallo, thriller and horror, is a testimony to that essential contribution of Bava, which had already inspired entire generations of directors. In this work, however, one senses the loss of that personal imprint: the meticulousness in the photography, a distinctive sign that had made the director famous, as well as that bitter irony capable of... Read More |
![]() | CubeMovie Review I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its strength lies in a simple but incredibly effective... Read More |
![]() | RepulsionMovie Review The film is a thriller full of tension, especially in the scenes where the protagonist experiences hallucinations. The horror atmosphere, with a touch of surrealism, is really intense. Although it may seem crude, this is intended by the director, who wants to show the harsh reality of the protagonist's life. The story tells of a woman in crisis, who no longer feels comfortable with the old values of society. This leads her to confront a harsh and chauvinistic reality, where she feels the weight of being a woman. The protagonist is alienated and desperate, aware that the world is changing, but remains tied to traditional values.... Read More |
![]() | MagicMovie Review A disturbing psychological thriller that mixes horror and tension, with a sinister puppet and a young Anthony Hopkins in one of his most intense performances. To get into the role, the British actor immersed himself in the study of ventriloquism techniques, giving his character a tormented and vulnerable depth. His hypnotic gaze and his ability to convey complex emotions make the performance unforgettable. Behind the camera, Richard Attenborough orchestrates the story with almost surgical precision, enhancing every detail and giving the story an unusual realism for the genre. The relationship between the ventriloquist and... Read More |
![]() | Lord of MisruleMovie Review Bland horror that mixes paganism, thriller and folklore of British popular traditions. The story recalls the 1973 film "The Wicker Man" with Christopher Lee |
![]() | What Ever Happened to Baby Jane?Movie Review Based on the novel by Henry Farrell released in 1960, the film is considered the progenitor of the psycho-biddy subgenre where the protagonists are mentally unstable elderly women, ready to terrorize the unfortunate ones on duty. Playing the disturbing sisters in this psychological thriller, a small jewel of genre cinema, are an unforgettable Bette Davis and Joan Crawford, great Hollywood stars now in their twilight years. Despite being free of bloody or macabre scenes, the film is a hallucinatory journey through sadism, madness and family resentments... Claustrophobic, having shot in black and white makes the face of the great... Read More |
![]() | OldMovie Review Adaptation of a French graphic novel "Sand Castle" that Shyamalan wanted to make at all costs but with little means available. It is a low-budget film, and this is evident from the, unfortunately, anonymous cast. Too bad with at least one star as the protagonist surely the final result would have been even more interesting, however excellent psychological thriller/horror, distressing and at times chilling even if there is little of true horror ... It is an allegorical film that makes you reflect on critical themes for everyone such as the nature of time that passes inexorably, pain and mortality. |
![]() | You Should Have LeftMovie Review Psychological thriller based on the novel of the same name by German Daniel Kehlmann, who in turn was inspired by the literary cult "House of Leaves" but wrote a much simpler and shorter, but still interesting, story. |
![]() | Fantasy IslandMovie Review A horror remake of the famous ABC TV series from the 70s/80s that keeps almost nothing of the original, only the magnificent island of dreams. Another low-budget production by Blumhouse designed not for what we all expected, that is, a middle-aged audience nostalgic for the TV series, but instead, as usual, for kids. A youthful soft horror that badly mixes various genres, thriller, melodrama, comedy, blending everything together... The result is a dull and idealess film, with an anonymous cast. In short, extremely boring. |
![]() | Goodnight MommyMovie Review A psychological thriller with horror nuances, a remake of a 2014 Austrian film described as disturbing and highly praised by critics. Hidden behind a mask, we find the always good Naomi Watts, here also a producer, in the role of a mother who whispers a horror lullaby in the ears of her children... to tell us that very, too often the monster lives within the walls of the home and in the people closest to us. Compared to the original film, there is much less ferocity and cruelty, but it is still a good film of tension and mystery. The dream sequences are particularly suggestive. |