violence
 | The House That ScreamedMovie Review Narciso Ibáñez Serrador, a cult figure in Spanish cinema, delivers a disturbing, elegant, and deeply layered film with The House That Screamed (La residencia). Far from the explicit horror typical of its era, this film plays with atmosphere, psychosexual undertones, and social repression to construct a gothic nightmare driven by a hypnotic rhythm and sustained tension. Set in an isolated girls’ boarding school in 19th-century rural France, the film slowly builds a claustrophobic microcosm where discipline, control, and sexual repression reign supreme. The headmistress—masterfully played by Lilli Palmer—embodies a twisted... Read More |
 | ManhunterMovie Review The Predator's Mind, the Investigator's Soul Manhunter is one of those films that, even decades later, continues to breathe with an icy, hypnotic intensity. The first cinematic adaptation of Thomas Harris’s novel Red Dragon, Michael Mann’s film is a psychological thriller that shuns genre conventions to explore, with patience and precision, the darkness shared between hunter and prey. Unlike many police thrillers, Manhunter focuses less on action and more on inner tension. William Petersen plays Will Graham, an FBI profiler gifted—or cursed—with the ability to completely immerse himself in the minds of the killers... Read More |
 | The Autopsy of Jane DoeMovie Review The Autopsy of Jane Doe is a small gem of contemporary horror cinema, a film that manages to combine classic suspense with an intelligent use of the supernatural. Directed by Norwegian filmmaker André Øvredal, the film sits halfway between forensic thriller and occult nightmare, maintaining a claustrophobic and refined tension throughout most of its runtime. The story unfolds almost entirely in a morgue, where a father and son (Brian Cox and Emile Hirsch, both in top form) are tasked with examining the body of a young woman found mysteriously intact at a scene of brutal carnage. It is precisely the paradox between the... Read More |
 | The Lost BoysMovie Review "The Lost Boys" (1987) appears to have been conceived as a work of transgression, an explosion of youthful energy and rebellion against social conventions. However, beneath its surface of action, horror, and humor, the film hides a series of themes and symbols that make it much more interesting and complex than it initially seems. First and foremost, the film is a work of social criticism, focusing on the disintegration of the nuclear family and the search for identity among young people. In this context, the vampires represent a metaphor for corruption and decay, but also for freedom and rebellion. They are... Read More |
 | Black MoonMovie Review "Black Moon" is a work that stands out for its originality and its ability to tackle themes such as sexuality, violence, and social disintegration. The film is characterized by a non-linear narrative and an atmosphere of dream and nightmare. The images are suggestive and oneiric, with a clever use of light and color to create an atmosphere of tension and anxiety. Cathryn Harrison's performance is remarkable, and her interpretation of Lily is fragile and sensitive. Therese Giehse is also excellent in the role of the mysterious woman, and her presence on screen is magnetic and unsettling. The film is also notable for... Read More |
 | My Heart Can't Beat Unless You Tell It ToMovie Review Unlike typical vampire films, My Heart Can't Beat Unless You Tell It To focuses more on family drama than conventional fear. The tone is melancholic, with a slow and suffocating narration that immerses the viewer in the anguish of the protagonists. The most disturbing aspect is not the violence itself, but the emotional toll that sacrifice and morality impose on the brothers. Jonathan Cuartas builds a claustrophobic and desolate world, emphasizing the loneliness of the characters through dark photography and a clever use of silence. The setting - an anonymous and decadent suburb - amplifies the sense of isolation and... Read More |
 | Halloween EndsMovie Review The film closes the David Gordon Green trilogy that began in 2018 and continued in 2021 with Halloween Kills, it is branded Blumhouse and this should be the last chapter (but will it really be like that we all wonder) of the saga that began in 1978 by John Carpenter. The era of Michael Myers ends, the most irrepressible killer in the history of horror cinema ever, mentor of every bloodthirsty masked homicidal maniac who came after him. There is certainly the intent to pay homage to the dark atmospheres of the progenitor film but also the desire to surprise, by inserting an absolutely new bad guy to act as a sidekick to good old... Read More |
 | CandymanMovie Review Sequel to "Candyman" from 1992, based on the story "The Forbidden" by Clive Barker which was in turn inspired by a popular belief. |
 | Knock at the cabinMovie Review Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the imagination and I appreciate this. |
 | PioveMovie Review The film makes us sink into the life of a family in disarray, where anger and depression take over. In the background a gray, rainy, embittered Rome. Horror that goes deep, both to scare and to make you think, a genre of film that is rarely seen and innovative. Beautiful photography and excellent performances. |