violence
 | When Evil LurksMovie Review "When Evil Lurks" is an overwhelming and relentless work that bravely steps away from the subgenre's clichés. Director Demián Rugna plunges us into a ruthless and visceral rural nightmare, establishing from the very first minutes that the rules are different here: there are no exorcist priests, no comforting prayers, and no easy way out. There is only a primal Evil, contagious like a virus and incomprehensible, spreading illogically and mercilessly. What makes the film exceptional is its brutality and honesty in depicting horror.... Read More |
 | The Mad RoomMovie Review The Mad Room (1969), directed by Bernard Girard, is a remake of the 1941 classic gothic thriller Ladies in Retirement, but it’s adapted with a style and a taste for psychological horror typical of the late 1960s. Although not a masterpiece without flaws, the film stands out for its dark atmosphere and the intense performances of its two leading actresses: Stella Stevens and Shelley Winters... Read More |
 | Paura - fearMovie Review Paura is one of those horror films that manages to crawl under your skin and stay there long after the screen goes dark. It is not just a movie—it is an oppressive experience, carefully designed to suffocate the audience with dread. The film’s pacing is deliberate, forcing the viewer to sit in moments of silence, to absorb the creeping atmosphere, and to anticipate the violence that inevitably follows. Its direction is sharp and merciless, never shying away from brutality but always keeping the suspense at the center. Every frame is filled with unease, whether it is a slow shot of an empty corridor, a close-up of terrified eyes... Read More |
 | Sister DeathMovie Review Sister Death is a beautifully eerie and atmospheric horror film that blends religious imagery with ghost story tropes to chilling effect. Paco Plaza creates a world where sacred spaces become sites of trauma, and faith itself is tested through confrontation with unspeakable evil. The film is steeped in dread, using silence, shadow, and suggestion to build tension rather than relying on constant jump scares. Aria Bedmar gives a haunting performance as Narcisa — vulnerable yet courageous — and her transformation into the figure later known as "Sister Death" is both tragic and empowering. The gothic visuals, stark interiors... Read More |
 | OpusMovie Review With Opus, Mark Anthony Green delivers a visionary debut that blends psychological drama, celebrity cult satire, and elegant horror. This is a baroque and unsettling film, set in a world where art becomes power, and talent turns into religion. The story revolves around a mysterious figure—possibly a genius, possibly a manipulator—who leads a select group of individuals through what feels like a creative ritual. The setting is theatrical, oppressive, and dripping with symbolism. Neon lights and stage smoke evoke an atmosphere halfway between a cult and an apocalyptic show. The cast is outstanding: Ayo Edebiri is... Read More |
 | High-RiseMovie Review The Dark Side of Progress Directed by Ben Wheatley and based on the visionary novel by J.G. Ballard, High-Rise is a disturbing descent into urban anarchy and human madness, disguised as architectural progress. Behind the brutalist façade of the high-rise – a symbol of modernity and luxury – lies a horror story masked as social satire. A disturbing, claustrophobic atmosphere From the very beginning, the film conveys a constant sense of unease. The closed-off setting of the tower, with its oppressive architecture, contributes to a lingering discomfort. Each floor represents a social class, and the higher you... Read More |
 | OnibabaMovie Review "Evil is the heart when wars, tragedy, death sweep away the civilized veneer and reveal the primitive beneath." This phrase, which stands out on the poster, encapsulates the brutal and poetic essence of Onibaba, a haunting masterpiece of Japanese cinema directed by Kaneto Shindō. Set in the desolate marshlands of a war-torn medieval Japan, the film is a descent into the animalistic depths of the human soul, where horror doesn’t arise from supernatural monsters, but from the moral abyss carved out by desperation and survival. A horror that whispers, not screams Unlike modern horror films that rely on jump... Read More |
 | The House with Laughing WindowsMovie Review The House with Laughing Windows is an unconventional masterpiece of Italian cinema—a film suspended between psychological thriller, rural horror, and gothic tradition, showing how true terror can stem more from suggestion than from explicit violence. Directed by a masterful Pupi Avati, the film stands out for its deeply unsettling atmosphere and its expert use of suspense. Avati builds horror with surgical precision, using a slow pace to generate anxiety and opting for a restrained yet elegant direction. The film's true protagonist is what remains unsaid: the silences, the glances, the distant noises, and the... Read More |
 | The House That ScreamedMovie Review Narciso Ibáñez Serrador, a cult figure in Spanish cinema, delivers a disturbing, elegant, and deeply layered film with The House That Screamed (La residencia). Far from the explicit horror typical of its era, this film plays with atmosphere, psychosexual undertones, and social repression to construct a gothic nightmare driven by a hypnotic rhythm and sustained tension. Set in an isolated girls’ boarding school in 19th-century rural France, the film slowly builds a claustrophobic microcosm where discipline, control, and sexual repression reign supreme. The headmistress—masterfully played by Lilli Palmer—embodies a twisted... Read More |
 | ManhunterMovie Review The Predator's Mind, the Investigator's Soul Manhunter is one of those films that, even decades later, continues to breathe with an icy, hypnotic intensity. The first cinematic adaptation of Thomas Harris’s novel Red Dragon, Michael Mann’s film is a psychological thriller that shuns genre conventions to explore, with patience and precision, the darkness shared between hunter and prey. Unlike many police thrillers, Manhunter focuses less on action and more on inner tension. William Petersen plays Will Graham, an FBI profiler gifted—or cursed—with the ability to completely immerse himself in the minds of the killers... Read More |