young people
 | Dark HarvestMovie Review The Aesthetics of Evil and American FolkloreDark Harvest is far from a standard supernatural slasher; it is a work that utilizes the classic iconography of Halloween to stage a fierce and visually hypnotic social critique. Director David Slade (well-known for 30 Days of Night) confirms his mastery of dark atmospheres, transforming the Illinois cornfields into a claustrophobic labyrinth illuminated by an almost artificial moon. Direction and Visual ImpactThe cinematography plays a fundamental role. As seen in the poster, the contrast between the deep black of the silhouettes and the electric blue of the... Read More |
 | The Mad RoomMovie Review The Mad Room (1969), directed by Bernard Girard, is a remake of the 1941 classic gothic thriller Ladies in Retirement, but it’s adapted with a style and a taste for psychological horror typical of the late 1960s. Although not a masterpiece without flaws, the film stands out for its dark atmosphere and the intense performances of its two leading actresses: Stella Stevens and Shelley Winters... Read More |
 | Paura - fearMovie Review Paura is one of those horror films that manages to crawl under your skin and stay there long after the screen goes dark. It is not just a movie—it is an oppressive experience, carefully designed to suffocate the audience with dread. The film’s pacing is deliberate, forcing the viewer to sit in moments of silence, to absorb the creeping atmosphere, and to anticipate the violence that inevitably follows. Its direction is sharp and merciless, never shying away from brutality but always keeping the suspense at the center. Every frame is filled with unease, whether it is a slow shot of an empty corridor, a close-up of terrified eyes... Read More |
 | The Lost BoysMovie Review "The Lost Boys" (1987) appears to have been conceived as a work of transgression, an explosion of youthful energy and rebellion against social conventions. However, beneath its surface of action, horror, and humor, the film hides a series of themes and symbols that make it much more interesting and complex than it initially seems. First and foremost, the film is a work of social criticism, focusing on the disintegration of the nuclear family and the search for identity among young people. In this context, the vampires represent a metaphor for corruption and decay, but also for freedom and rebellion. They are... Read More |
 | Founders DayMovie Review Blood, Masks, and… Democracy?! If you thought politics was already scary enough, Founders Day takes electoral terror to a whole new level. This slasher with a patriotic twist blends elections, mystery, and a masked serial killer sporting a judge’s wig, ready to enforce his own laws… with a bloody gavel! The tone is a mix between Scream and a presidential debate… except here, if you answer wrong, you don’t just lose votes—you lose your head! The performances are surprisingly solid for an indie horror film, with believable young leads and an antagonist who knows how to leave a lasting impression. The... Read More |
 | PreservationMovie Review So this is somewhat of a spoiler, however the "motif" of this motion picture is the killers are young people - however I'm certain you likely made sense of that when you read they ride bikes. |
 | Andrea De Sica, director of Don't Kill MeInterview Born in Rome on December 30, 1981, he is the son of composer Manuel De Sica and producer Tilde Corsi. He is the nephew of Vittorio De Sica and his uncle is the actor Christian De Sica. As a boy he collaborated as a volunteer assistant on the set of Bernardo Bertolucci's The Dreamers. Later he was assistant director for Ferzan Özpetek's La Finestra di Fronte and Vincenzo Marra's Vento di terra. After studying philosophy at the Roma Tre University, in 2009 he graduated in directing at the Experimental Center of Cinematography. With "I figli della notte", his first feature film, he won the Silver Ribbon for... Read More |