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 | The RitualMovie Review These days playing on Netflix is the chilling outside experience, The Ritual. Directed by David Bruckner written by Joe Barton, the film bases on four school companion's stumble into the forested areas following the passing of one of their classmates. Try not to be tricked by the entire outdoors in the forested areas situation. The Ritual does not endless supply of the typical repulsiveness tropes that kind groups of onlookers have seen on numerous occasions. Alongside their outdoors equip, this team of folks brings along a considerable measure of psychological weight on their trip also. The Ritual is a balance of... Read More |
 | Jeepers Creepers 3Movie Review Jeepers Creepers series. Thinking back on the progress and how we got to this point, a sequel had been in talks since before the second movie even found its way into theaters, but finding proper financing has always been an issue (and writer/director Victor Salva's sordid past didn't help matters). Over the years many ideas have been thrown around, like some parts of the film possibly taking place in western times (which might explain The Creeper's choice in clothing) and the more reported idea of the story taking place 23 years after the events of the last one. This idea, of course, is now believed to... Read More |
 | Green InfernoMovie Review I must admit The Green Inferno had such promise. I heard a lot about it before the screening, and was obviously thrilled at the Cannibal Holocaust comparison. It’s such a shame that I didn’t enjoy this more than I did. It’s got a strong start, setting the scene nicely up in this bitch (you’ll get that later – line of the year, ammaright Mitch?), beginning with a well executed plane crash scene, which seemed to genuinely impress all. Then followed some actually scary, skin crawling action when the kids meet the villagers. This is where it lost me. What should have been a terrifying turn of events, drawing on... Read More |
 | AfflictedMovie Review Since watching this modern day vampire movie about a month back I have encountered numerous reviews that seemed not to ‘get’ the film in any way! I think a lot of these so called ‘big film review’ sites have an agenda against Found Footage horror movies. Just to make it clear to the reviewers out there, this is actually a Modern Day Vampire Movie so maybe try including that in your review. Don’t try to put perspective fans off by slating a film you did not enjoy by not including the most important film element within your review! Now we’ve go that out of the way I should really get into the ‘guts’ of this... Read More |
 | Let the Right One InMovie Review As Let the Right One In opens in a suburb of Stockholm during the 1980s, 12-year old Oskar (Kåre Hedebrant) shows all the signs of being on the road to turning into a Columbine killer. He's a loner who is relentlessly bullied at school. His parents, who are divorced, pay him only as much attention as they can fit into their busy schedules. And his hobby is cutting out articles about murders from the local paper and pasting them into a scrapbook. This is not normal behavior even for a socially awkward boy on the cusp of adolescence. But then things take an uplifting turn. Enter Eli (Lina Leandersson), who, along with her... Read More |
 | Wolf CreekMovie Review I had a hard time watching "Wolf Creek." It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking. It has an 82 percent "fresh" reading over at the Tomatometer. "Bound to give even the most seasoned thriller seeker nightmares" (Hollywood Reporter). "Will have Wes Craven bowing his head in shame" (Clint Morris). "Must be giving Australia's... Read More |
 | House of 1000 CorpsesMovie Review Rob Zombie's House of 1000 Corpses has nostalgia on its side but not much else. Pretending the last 20 years of teen slasher flicks never existed, Zombie creates a strange burlesque cocktail that reimagines The Texas Chainsaw Massacre by way of Vulgar. Four teenagers go chasing after an urban legend (Doctor Satan) in backwater USA and meet strange with an ex-prom queen (a busty Karen Black) and her immediate family. The kids have to wear masks before they can chow down on Halloween dessert and soon find themselves rubbing shoulders with several corpses-cum-scarecrows hanging outside Mother Firefly's... Read More |
 | JudyMovie Review Let me start off this review by saying that I am not a fan of clowns. I don’t mean that in a “I flip out when I see them, they’re so scary” kind of way. I mean that I think they’re boring and overused. Thanks to Stephen Kings’ Pennywise (from It) and northern Illinois’ John Wayne Gacy, we’ve been inundated with clowns in our horror for the past thirty years, and every time it looks like they’re going away, they’re right back in our faces with the Insane Clown Posse and a flood of unoriginal, over-the-top clowns-as-killers horror films. It’s rare that any movie with clowns in it will leave a good impression on me anymore. And... Read More |
 | Guglielmo FavillaInterview Guglielmo Favilla (born 1981, in Livorno) is an Italian actor, director, and screenwriter. A graduate of the Centro Sperimentale di Cinematografia, he has worked across theater, film, and television. Known for his versatility, he gained recognition in the horror genre with "Eaters" (2010), "Extreme Jukebox" (2013), "Stellastrega" (2018), and Dario Argento’s "Dark Glasses" (2022), where he played Jerry. Also active as a voice actor and writer, Favilla moves effortlessly between dramatic and comedic roles. He continues to collaborate with independent filmmakers and Italian productions,... Read More |
 | The Manetti Bros.Interview The Manetti Bros., the pseudonym of Marco Manetti (Rome, January 15, 1968) and Antonio Manetti (Rome, September 16, 1970), are Italian brothers, film directors, screenwriters, and producers. They made their debut in 1994 with “Consegna a domicilio” and gained attention with “Torino Boys” (1997). Moving between cinema and television, they directed films such as “Zora la vampira” (2000), “Piano 17” (2005), and the cult TV series “L’Ispettore Coliandro” (since 2006). Passionate about genre cinema, they also ventured into horror: they directed “Paura 3D” (2012), a claustrophobic horror-thriller set in an isolated villa, and... Read More |