cult
 | the beyondMovie Review “The Beyond” (original title: E tu vivrai nel terrore! L’aldilà) is a masterpiece of surreal Italian horror, directed by the godfather of gore Lucio Fulci. Part of his famous “Gates of Hell Trilogy,” the film is a nightmarish and blood-soaked journey beyond life and death, where logic is abandoned in favor of atmosphere, terror, and intense visual horror. Set in Louisiana, the story centers around an old hotel that turns out to be built over one of the Seven Gates of Hell. When the new owner (played by Catriona MacColl) begins renovations, disturbing and supernatural events begin to unfold. Unexplained deaths, ghostly... Read More |
 | OpusMovie Review With Opus, Mark Anthony Green delivers a visionary debut that blends psychological drama, celebrity cult satire, and elegant horror. This is a baroque and unsettling film, set in a world where art becomes power, and talent turns into religion. The story revolves around a mysterious figure—possibly a genius, possibly a manipulator—who leads a select group of individuals through what feels like a creative ritual. The setting is theatrical, oppressive, and dripping with symbolism. Neon lights and stage smoke evoke an atmosphere halfway between a cult and an apocalyptic show. The cast is outstanding: Ayo Edebiri is... Read More |
 | Sleepaway CampMovie Review "You won't be coming home!" Among the most disturbing and controversial cult horror films of the 1980s, Sleepaway Camp stands out for its mix of teen slasher tropes, psychological trauma, and a twist ending that still shocks audiences today. Set in the fictional Camp Arawak, the story follows Angela, a quiet and fragile girl sent to summer camp with her cousin Ricky. Soon, strange and violent accidents begin claiming the lives of campers and counselors, exposing a world of bullying, cruelty, and secrets. But nothing is quite what it seems. Directed by Robert Hiltzik, the film initially appears to be a... Read More |
 | PhantasmMovie Review The Immortal Nightmare of the Tall Man A forgotten classic? Only by those who haven’t seen it. Atmosphere of a nightmare |
 | Carnival of SoulsMovie Review Carnival of Souls is a small miracle of American independent cinema. Shot on a shoestring budget and initially released to little success, it has since become a cult classic, revered by filmmakers, critics, and cinephiles alike. This unsettling film blends horror, experimental cinema, and a philosophical meditation on life and death. One of Carnival of Souls' most remarkable elements is its atmosphere. Drawing inspiration from German Expressionist cinema and the work of directors like Ingmar Bergman, Herk Harvey creates a ghostly world where the line between reality and the surreal is constantly blurred. Maurice Prather’s... Read More |
 | Vampire in VeniceMovie Review Vampire in Venice is a 1988 Italian horror film directed by Augusto Caminito and starring Klaus Kinski in the role of the infamous vampire. It is considered an unofficial sequel to Nosferatu the Vampyre (1979), also starring Kinski and directed by Werner Herzog. Positive Aspects Venice is used masterfully as a gothic and decaying backdrop. The misty canals and baroque interiors help create a haunting and evocative setting. |
 | Drag Me to HellMovie Review A grotesque descent into moral abyss disguised as supernatural horror. Drag Me to Hell is not just a horror film: it's a cruel parable about judgment and guilt wearing the grotesque mask of a curse. Sam Raimi, with his unmistakable blend of the absurd and the disturbing, crafts a work that crawls under your skin—not because of its demons, but because of the unsettling doubt it leaves behind: how much evil can a good person do to get what they want? The film walks a fine line between genuine terror and deliberately exaggerated farce. The special effects, intentionally old-school at times, harken back to the cult... Read More |
 | The House with Laughing WindowsMovie Review The House with Laughing Windows is an unconventional masterpiece of Italian cinema—a film suspended between psychological thriller, rural horror, and gothic tradition, showing how true terror can stem more from suggestion than from explicit violence. Directed by a masterful Pupi Avati, the film stands out for its deeply unsettling atmosphere and its expert use of suspense. Avati builds horror with surgical precision, using a slow pace to generate anxiety and opting for a restrained yet elegant direction. The film's true protagonist is what remains unsaid: the silences, the glances, the distant noises, and the... Read More |
 | The House That ScreamedMovie Review Narciso Ibáñez Serrador, a cult figure in Spanish cinema, delivers a disturbing, elegant, and deeply layered film with The House That Screamed (La residencia). Far from the explicit horror typical of its era, this film plays with atmosphere, psychosexual undertones, and social repression to construct a gothic nightmare driven by a hypnotic rhythm and sustained tension. Set in an isolated girls’ boarding school in 19th-century rural France, the film slowly builds a claustrophobic microcosm where discipline, control, and sexual repression reign supreme. The headmistress—masterfully played by Lilli Palmer—embodies a twisted... Read More |
 | HereticMovie Review "Question Everything" is not just a slogan: it’s a warning. In Heretic, truth is a trap and reality bends under the weight of our deepest convictions. Beck and Woods orchestrate a work that feels less like a film and more like a ritual of identity dissolution. Every scene is calibrated like a misstep inside a hall of mirrors: the viewer is first seduced, then slowly stripped of their certainties. Hugh Grant, in a performance both restrained and menacing, embodies the horror of silent persuasion: the friendly face that reveals itself as the mask of a dark cult. The two young figures at the center — depicted in the... Read More |