explicit
 | The House That ScreamedMovie Review Narciso Ibáñez Serrador, a cult figure in Spanish cinema, delivers a disturbing, elegant, and deeply layered film with The House That Screamed (La residencia). Far from the explicit horror typical of its era, this film plays with atmosphere, psychosexual undertones, and social repression to construct a gothic nightmare driven by a hypnotic rhythm and sustained tension. Set in an isolated girls’ boarding school in 19th-century rural France, the film slowly builds a claustrophobic microcosm where discipline, control, and sexual repression reign supreme. The headmistress—masterfully played by Lilli Palmer—embodies a twisted... Read More |
 | Green InfernoMovie Review I must admit The Green Inferno had such promise. I heard a lot about it before the screening, and was obviously thrilled at the Cannibal Holocaust comparison. It’s such a shame that I didn’t enjoy this more than I did. It’s got a strong start, setting the scene nicely up in this bitch (you’ll get that later – line of the year, ammaright Mitch?), beginning with a well executed plane crash scene, which seemed to genuinely impress all. Then followed some actually scary, skin crawling action when the kids meet the villagers. This is where it lost me. What should have been a terrifying turn of events, drawing on... Read More |
 | Wolf CreekMovie Review I had a hard time watching "Wolf Creek." It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women. When the killer severs the spine of one of his victims and calls her "a head on a stick," I wanted to walk out of the theater and keep on walking. It has an 82 percent "fresh" reading over at the Tomatometer. "Bound to give even the most seasoned thriller seeker nightmares" (Hollywood Reporter). "Will have Wes Craven bowing his head in shame" (Clint Morris). "Must be giving Australia's... Read More |
 | MartyrsMovie Review Watching MARTYRS is like staring into a blast furnace. Pascal Laugier’s film is a smoldering cell of anger and heat and hate and marvel. It’s difficult to watch head on and downright painful to endure over time. To be honest the experience is one I hesitate to recommend. However, one must be impressed by the effect of it, impressed by its ability to inflict such engineered torment, impressed that the film can survive its own extreme internal pressures. Laugier’s is an escalation game, vying not to push past boundaries, rather to set up residence on the border itself. The squirming endurance comes not from how far past the... Read More |
 | SeedMovie Review The above quote opens what could be one of the most disturbing movies I have seen in a long time. Uwe Boll’s Seed is an unflinching exercise in human cruelty. The movie begins with archival footage of humans being exceptionally cruel to a variety of animals that was provided by PETA, the People for the Ethical Treatment of Animals. I thought this was unnecessary at the time, but in further watching the movie, I felt that the PETA footage started the story off in the right direction. It prepares the viewer for the cruelty expressed further in. The next scene is a man being executed in the fashion that is most popular in horror... Read More |
 | Uwe BollInterview As a child, he produced a number of short films on Super 8 and video before beginning his studies as a film director in Munich and Vienna. He also studied literature and economics in Cologne and Siegen. Uwe graduated from university in 1995 with a doctorate in literature. From 1995-2000, he was a producer and director with Taunus Film-Produktions GmbH. Boll is currently Chief Executive Officer of Boll Filmproduction and Distribution GmbH which he founded in 1992. In 2000 he founded Boll KG and continues to direct, write and produce feature films |