Horror Films
 | ViciousMovie Review Vicious is a psychological horror that relies on emotional tension and the fear of the unknown. As a woman, I found it particularly compelling how the film explores vulnerability within the home—supposedly the safest place we know. The protagonist embodies the growing terror of someone trapped not only inside her house but inside her own emotional weaknesses. The film builds an unsettling atmosphere from the very beginning, balancing... Read More |
 | Paura - fearMovie Review Paura is one of those horror films that manages to crawl under your skin and stay there long after the screen goes dark. It is not just a movie—it is an oppressive experience, carefully designed to suffocate the audience with dread. The film’s pacing is deliberate, forcing the viewer to sit in moments of silence, to absorb the creeping atmosphere, and to anticipate the violence that inevitably follows. Its direction is sharp and merciless, never shying away from brutality but always keeping the suspense at the center. Every frame is filled with unease, whether it is a slow shot of an empty corridor, a close-up of terrified eyes... Read More |
 | rosemary's babyMovie Review Roman Polanski’s Rosemary’s Baby (1968) stands as one of the most influential psychological horror films ever made, masterfully combining creeping dread with social commentary. Based on Ira Levin’s novel, the story unfolds in a deceptively ordinary New York apartment building, where newlyweds Rosemary and Guy Woodhouse settle into what appears to be a perfect new life. The film’s brilliance lies in its slow and deliberate pacing, allowing paranoia to grow organically as Rosemary, portrayed with heartbreaking vulnerability by Mia Farrow, begins to suspect that her overly friendly neighbors and even her ambitious husband may be... Read More |
 | The Bad SeedMovie Review The Bad Seed (1956) is a landmark in psychological horror, a chilling and sophisticated exploration of the nature-versus-nurture debate. Directed by Mervyn LeRoy and adapted from Maxwell Anderson’s stage play (itself based on the novel by William March), the film challenges viewers with a terrifying question: can evil be inherited? At the center of the story is Rhoda Penmark, an eerily perfect little girl with pigtails, a crisp dress, and impeccable manners. But beneath her angelic exterior lurks something deeply disturbing. When a classmate dies under suspicious circumstances, Rhoda's mother, Christine, begins to suspect... Read More |
 | Sleepaway CampMovie Review "You won't be coming home!" Among the most disturbing and controversial cult horror films of the 1980s, Sleepaway Camp stands out for its mix of teen slasher tropes, psychological trauma, and a twist ending that still shocks audiences today. Set in the fictional Camp Arawak, the story follows Angela, a quiet and fragile girl sent to summer camp with her cousin Ricky. Soon, strange and violent accidents begin claiming the lives of campers and counselors, exposing a world of bullying, cruelty, and secrets. But nothing is quite what it seems. Directed by Robert Hiltzik, the film initially appears to be a... Read More |
 | Burnt OfferingsMovie Review Based on the novel of the same name by Robert Marasco. A slowly building gothic nightmare, the film is distinguished by an oppressive atmosphere that develops with a slow but inexorable pace. The terror does not come in the form of sudden jump scares, but through a growing tension and a sense of inevitable doom. The house seems to absorb the vitality of its inhabitants, and the mystery that surrounds it becomes increasingly disturbing. A stellar cast and memorable performances, Karen Black is perfect in the role of the mother, who goes from loving and caring to completely subjugated by the influence of the house. Oliver... Read More |
 | CubeMovie Review I couldn't wait to talk about this extraordinary Canadian film, which I consider without hesitation one of the best horror films of all time, so much so that it is in my personal top 5 of the genre. The director, Vincenzo Natali, is often unfairly underrated, but with Cube he has demonstrated a visionary talent that deserves full recognition. This is his first feature film, the film that made him a household name, and despite an extremely low budget (around $350,000), it manages to give the impression of a much more ambitious and refined work than one might expect. Its strength lies in a simple but incredibly effective... Read More |
 | RenfieldMovie Review Renfield is a tribute that is a bit splatter and a bit black comedy to the classic vampire horror films where in the role of Count Dracula we find an eccentric Nicolas Cage thirty years after his performance in "Vampire's Kiss" and in that of the servant Nicholas Hoult. Stuffed with fight scenes where heads and limbs fly endlessly in the long run it is repulsive and boring, the film is worth watching only for the two good and charming protagonists, who move through seductive sets in a very 80s atmosphere that I like so much. Finally I can only say that my great expectations for this film were unfortunately disappointed. |
 | LonglegsMovie Review A satanic and unrecognizable Nicolas Cage in one of the most complex and successful horror films of the year. Oz Perkins, son of the iconic Anthony (Psycho) directs a horror for adults, finally without screaming and laughing teenagers. Very beautiful images in a sulphurous, depressing and morbid atmosphere... it reminds us of cornerstones such as "The Silence of the Lambs" in particular for how it proposes the detective-killer scheme. |
 | The wellMovie Review The twilight settings and the acting performances even of the minor roles are very appreciable, some scenes in the finale give a touch perhaps unintentionally funny that I personally appreciate a lot in horror films. A simple but well-crafted story, with realistic dialogues, the long gore scenes in the film could disturb those like me who do not appreciate them but prefer dark atmospheres and mystery, which are not lacking anyway. A low-budget production that does not disappoint but rather transports us to the past of an Italian genre cinema that is now almost defunct. |