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 | The Black PhoneMovie Review The Black Phone, directed by Scott Derrickson and based on the short story by Joe Hill, is a film that transcends the simple horror formula to offer a tense, psychologically engaging, and surprisingly emotional experience. It is a triumph of atmosphere and performances that makes it one of the most successful titles in the genre recently. |
 | The BlobMovie Review The Blob is an icon of 1950s B-movie science fiction/horror, a film that, despite being produced on a limited budget, left an indelible mark thanks to its simple yet effective premise, and, most notably, for launching the career of Steve McQueen (then credited as Steven McQueen) in his first starring role. The movie, directed by Irvin... Read More |
 | CHRISTINEMovie Review John Carpenter’s Christine (1983), based on Stephen King’s novel, transforms a 1958 Plymouth Fury into an icon of supernatural horror. With a perfect blend of atmosphere, paranoia, and teenage obsession, Carpenter crafts a chilling story about possession, love, and destruction. The pulsating synth score, stylish direction, and menacing car sequences turn a classic vehicle into a relentless predator. Christine is not just a horror film but also a metaphor for toxic obsession, loneliness, and the dangers of giving your soul to something you can’t control. |
 | Queen of the DamnedMovie Review Queen of the Damned (2002), directed by Michael Rymer, remains one of the most visually captivating yet polarizing adaptations from Anne Rice’s Vampire Chronicles. While it condenses two novels—The Vampire Lestat and Queen of the Damned—into a single cinematic narrative, the result is a hybrid that mixes gothic romance, supernatural horror, and the vibrant energy of early 2000s rock culture. At the center of the story is Lestat, played with a dangerous charm by Stuart Townsend, who reinvents himself as a rock star, drawing mortals and immortals alike into his intoxicating orbit. His music awakens Akasha, the first vampire... Read More |
 | the beyondMovie Review “The Beyond” (original title: E tu vivrai nel terrore! L’aldilà) is a masterpiece of surreal Italian horror, directed by the godfather of gore Lucio Fulci. Part of his famous “Gates of Hell Trilogy,” the film is a nightmarish and blood-soaked journey beyond life and death, where logic is abandoned in favor of atmosphere, terror, and intense visual horror. Set in Louisiana, the story centers around an old hotel that turns out to be built over one of the Seven Gates of Hell. When the new owner (played by Catriona MacColl) begins renovations, disturbing and supernatural events begin to unfold. Unexplained deaths, ghostly... Read More |
 | The monkeyMovie Review Finally, a film that makes us say: “Monkey, take the keys to my anxiety and drive me straight to hell!” |
 | PhantasmMovie Review The Immortal Nightmare of the Tall Man A forgotten classic? Only by those who haven’t seen it. Atmosphere of a nightmare |
 | Drag Me to HellMovie Review A grotesque descent into moral abyss disguised as supernatural horror. Drag Me to Hell is not just a horror film: it's a cruel parable about judgment and guilt wearing the grotesque mask of a curse. Sam Raimi, with his unmistakable blend of the absurd and the disturbing, crafts a work that crawls under your skin—not because of its demons, but because of the unsettling doubt it leaves behind: how much evil can a good person do to get what they want? The film walks a fine line between genuine terror and deliberately exaggerated farce. The special effects, intentionally old-school at times, harken back to the cult... Read More |
 | HouseMovie Review "House" – Where Horror Rings the Doorbell (With a Rotten Finger!) If you thought moving was stressful, wait until you see what happens when Roger Cobb opens the door of his house in House! This little gem from the '80s mixes horror, comedy, and a touch of pure madness with the charm of a film that knows not to take itself too seriously – and that’s exactly why it works so well. Imagine being a tormented ex-soldier and writer who moves into his late aunt’s old house… only to find the place is more haunted than a paranormal convention. Doors opening by themselves? Check. Zombie hands ringing the doorbell? Check.... Read More |
 | The babyMovie Review From the first shots of “The Baby” you can feel a whisper of madness, as if the camera were peering through a crack in the soul. The corridor to the nursery is lit by an unnaturally warm light, but at the center is him: a man trapped in a grotesque baby suit, crying a strangled and inarticulate moan, clinging to wooden bars like an anchor of despair. The protagonist, Ann (Anjanette Comer), is dragged into this ghostly asylum of horrors with the lightness of a breeze, but here her smile cracks. The walls, covered in peeling wallpaper, seem to pulsate with visionary memories: muffled voices, ghostly laughter, the cries of... Read More |