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 | PresenceMovie Review A Haunting Whisper in the Void of the Ordinary With Presence, Steven Soderbergh returns to the supernatural thriller genre with a film that is as much a stylistic exercise as it is an exploration of trauma and absence. Eschewing jump scares and loud narratives, the director crafts an intimate horror experience that slowly seeps under the viewer's skin, evoking a deep, almost physical unease. David Koepp’s screenplay — known for his work on Panic Room and Stir of Echoes — unfolds in a rarefied narrative space, where the true protagonist is emptiness: the physical emptiness of an apparently ordinary house and the... Read More |
 | CrawlspaceMovie Review Crawlspace – When horror slips through the air ducts... and into your patience Crawlspace is one of those movies that makes you eye every ventilation grate in your apartment with suspicion. Because yes, in this gem of claustrophobic horror, the real enemy isn’t some otherworldly monster—it’s your neighbor who’s decided to live in the walls (literally). The film pulls off the impressive feat of turning an air duct system into a labyrinth of blood, paranoia, and highly questionable character choices. The protagonists move around as if trapped in an escape room designed by a homicidal interior decorator, and the... Read More |
 | The Abominable Dr. PhibesMovie Review The Abominable Dr. Phibes, directed by Robert Fuest, is a jewel of British horror cinema that combines gothic, grotesque and black humor in a fascinating and macabre mix. Played by a charismatic Vincent Price, the film tells the story of the eccentric and brilliant Dr. Anton Phibes' revenge against the doctors he believes are responsible for his wife's death. The plot develops as a series of murders inspired by the plagues of Egypt, an idea as ingenious as it is disturbing, which gives life to visually surprising sequences. The baroque aesthetic, with rich sets and saturated colors, creates a dreamlike and surreal... Read More |
 | Knock at the cabinMovie Review Freely adapted from the novel by Paul G. Tremblay, "The House at the End of the World", a psychological thriller that for an hour and forty minutes, plays excellently on ambiguity and sadism, sowing doubts and clues that, even before putting us in front of the apocalyptic fait accompli, prefer to push the characters and the viewer himself to ask who we should give our trust to. Shyamalan inspired the one who holds the anxious helm of Knocking at the Door, with a rhythm and a staging of great value, in which the violence is not explicitly shown but leaves room for the imagination and I appreciate this. |
 | RitualMovie Review A married couple with a complicated relationship, a corpse, and a room at a less than reputable motel. It’s a classic formula for a horror movie that’s no doubt familiar for many genre fans. It’s also the set-up for Mickey Keating’s 2013 film, Ritual. Ritual is the 14th original film distributed by After Dark Originals. It stars Dean Cates (Pod) and... Read More |
 | The Black RoomMovie Review When it comes to classic horror tropes – like haunted houses and the dark secrets they hide – there’s definitely more than one way to approach material that is very familiar to the average genre fan by now. More and more modern filmmakers are adopting a cerebral approach and turning their haunted house movies into social commentaries with something larger to say. Others are focused on simply telling a good scary story with plenty of jump scares and special effects. Still more go for an exploitive approach that is almost intentionally trashy. The Black Room... Read More |
 | VampiresMovie Review Jack Crow is much more than a vampire hunter. He is a war machine that considers vampires as the embodiment of Evil and teammates as soldiers to be strictly trained so that they never fail. The Vatican monitors him from afar, assists him through specially trained priests, and supports him economically. This unlikely but functional partnership between this sort of crepuscular cow boy and one of the most important religious institutions in the world undergoes a stop when the ancient and powerful Valek breaks into the room where a vampire hunting party is celebrating, making a killing. Jack Crow's collaborators all die... Read More |
 | 1408Movie Review 1408 proves that it’s still possible to make a very scary and creepy movie that is not populated by teenage characters or victims being mutilated. I guess it’s weird to use the word “refreshing” when talking about a horror movie, but that’s what 1408 is when compared to recent trends in the world of horror films. With the likes of the Saw series, Hostel movies and the upcoming Captivity, which all depend on scenes of excruciating personal torture to horrify the audience, I really enjoyed seeing an “old school” horror movie that was incredibly effective. 1408 is based on... Read More |
 | Andrea De Sica, director of Don't Kill MeInterview Born in Rome on December 30, 1981, he is the son of composer Manuel De Sica and producer Tilde Corsi. He is the nephew of Vittorio De Sica and his uncle is the actor Christian De Sica. As a boy he collaborated as a volunteer assistant on the set of Bernardo Bertolucci's The Dreamers. Later he was assistant director for Ferzan Özpetek's La Finestra di Fronte and Vincenzo Marra's Vento di terra. After studying philosophy at the Roma Tre University, in 2009 he graduated in directing at the Experimental Center of Cinematography. With "I figli della notte", his first feature film, he won the Silver Ribbon for... Read More |
 | Linda Blair interview, she talks about DevilInterview Linda Blair began modeling when she was five years old. By her teens she had started acting on television and movies, and before she was 14 she had already taken her most famous role: that of Regan, the demon-possessed child in the 1972 film The Exorcist (co-starring Max von Sydow). The film became a horror classic, and Linda Blair was Oscar-nominated as best supporting actress for the role. She also appeared four years later in the sequel, and starred in the campy cult favorite Roller Boogie in 1979. Since then Blair has appeared in dozens of movies and TV shows, performed on Broadway (in Grease as Rizzo), and is a well-known... Read More |