Audition

Audition
1999
9
Director: 
Takashi Miike

SYNOPSIS: 

This disturbing Japanese thriller follows Aoyama (Ryo Ishibashi), a widower who decides to start dating again. Aided by a film-producer friend (Jun Kunimura), Aoyama uses auditions for a fake production to function as a dating service. When Aoyama becomes intrigued by the withdrawn, gorgeous Asami (Eihi Shiina), they begin a relationship. However, he begins to realize that Asami isn't as reserved as she appears to be, leading to gradually increased tension and a harrowing climax.

REVIEW: 

 

Direction is just as important as story and even more important than acting. For this reason I probably have more favorite directors than I do actors or actresses. Takashi Miike is easily in my top five all time favorite directors. Before there was Imprint(Masters of Horror Season 1 Episode 13), there was Ichi the Killer andHappiness of the Katakuris. And before those two cinematic gems there was Audition; an absolute masterpiece of Japanese horror film making.

Taken from a novel written by Ryu Murakami, Audition starts by introducing us to a widower, Shigeharu Aoyama, and his teenage son Shigehiko. Shigehiko doesn’t want his father to be alone any more. Aoyama’s friend, Yoshikawa, doesn’t want him to be alone any more either and devises a way to let Aoyama pick someone. They will put together a fake audition for a script and put out a casting call for the lead female character. During the hours of interviews, in walks Asami Yamazaki, an attractive and soft spoken young woman that seems to strike a chord with Aoyama.

The two have a very awkward first night out but seem to open up to each other after awhile. While parting ways Asami says that she will be waiting for Aoyama’s call. When we see Asami next, she is sitting on the floor in her apartment impatiently waiting by the phone for that call. It is this scene in Audition that first gives us the idea that something is not quite right with Asami.Aoyama Eihi Shiina using piano wire in Audition (1999)

Takashi Miike continues to set up the story on a slow but deliberate pace that’s sole purpose is to lead you to the final 15 minutes of controlled chaos.

Oh my!!! Takashi Miike is an expert story teller. His directing style has inspired many yet is matched by none. He knows exactly where his limit is and deliberately attempts to push himself beyond it. Most of his films have been called disturbing but not because of the subject matter but because of his detail of realism. When a scene calls for a foot to be cut off Takashi Miike wants it to look as close to the real thing without actually cutting the foot off.

The acting is incredible also. Ryo Ishibashi is the epitome of a middle aged widower looking for another chance at companionship. His subtle changes in demeanor bring Aoyama to life which is a necessity for the viewer to feel an emotional bond to him.

Phone and large burlap sack in Audition (1999)
Eihi Shiina does a fabulous job as Asami also. She seems to become Asami to the point that you begin to question yourself as to whether or not the feelings that you had for her were real because if they were then you could easily find yourself in the same predicament of Aoyama.

This film works on so many levels. It plays with every emotion. It heightens every sense. It disturbs the mind. And all of it was done on purpose

Our Ratings - 9.0/10

 

OTHER MOVIES REVIEWS

The Shrine Review

The Shrine

2010

The Shrine is the type of film that comes complete with lots of familiar horror tropes an avid genre lover will recognize. You’ve got the mysterious disappearance of a traveler under mysterious circumstances, as well as a team of people seeking answers as to the details of those circumstances. You’ve got a remote village in a foreign land populated by strange people who raise an eyebrow or two thanks to their mysterious beliefs and practices. Scares, jumps, and mysteries abound as the protagonists attempt to make sense of it all. Given those facts, the plotline of The... Read More

Vampires

1998

Jack Crow is much more than a vampire hunter. He is a war machine that considers vampires as the embodiment of Evil and teammates as soldiers to be strictly trained so that they never fail. The Vatican monitors him from afar, assists him through specially trained priests, and supports him economically. This unlikely but functional partnership between this sort of crepuscular cow boy and one of the most important religious institutions in the world undergoes a stop when the ancient and powerful Valek breaks into the room where a vampire hunting party is celebrating, making... Read More

The Curse of La Llorona Review

The Curse of La Llorona

2019

If you’re a fan of the ever-expanding universe of The Conjuring, then it makes sense that The Curse of La Llorona would definitely be on your radar. It is the sixth addition to the franchise, joining other recent hits like The Nun and Annabelle in fleshing out the world first introduced by the original Conjuring back in 2013. It’s also the directorial debut of Michael Chaves (who will also be directing the upcoming Conjuring 3) and is, of course, produced by James Wan. Linda Cardellini (Strangeland), Raymond Cruz (From Dusk Till Dawn 2), Sean Patrick Thomas (Kemper, The... Read More

Pet Sematary Review

Pet Sematary

2019

Whether you’re the type of person who loves remakes or simply the type who loves to hate them, it’s highly likely that 2019’s Pet Sematary is on your radar for one reason or another if you’re into horror. It’s directed by Kevin Kölsch and Dennis Widmyer (who also directed Starry Eyes) and is, of course, a reboot of the classic Stephen King film Pet Sematary from 1983. Pet Sematary stars Jason Clarke (Winchester, Trust), Amy Seimatz (The Sacrament, You’re Next, Bitter Feast), and the always legendary John Lithgow (Raising Cane, Twilight Zone: The Movie). Those who aren’t... Read More

Candyman

1992

In this unfairly forgotten film, Bernard Rose proposes a terrible genius loci: in fact a popular area (Cabrini-Green) seems to be manned by Candyman, a bloodthirsty spirit that guts with a hook anyone who summons him in front of the mirror. Helen finds him out by chance, collecting interviews for her thesis on contemporary folklore. After discovering that some years earlier, precisely in the Cabrini-Green, some violent homicides remained unpunished, Helen hypothesizes to have mistakenly collected only narratives, concerning real events that have been modified, year by... Read More