love
 | An American Werewolf in LondonMovie Review "An American Werewolf in London" is far more than a simple horror film: it is a cinematic gem that skillfully blends the rawest terror with unexpected and brilliant black humour, creating a unique and unparalleled experience that has stood the test of time beautifully. John Landis, at the peak of his career, directs a work that perfectly balances the horror of the werewolf myth with a disarming and ironic sense of everyday life. The absolute greatest strength of the film lies in the practical... Read More |
 | I Walked with a ZombieMovie Review "I Walked with a Zombie" (1943), directed by Jacques Tourneur and produced by Val Lewton, remains one of the most atmospheric horror classics of the 1940s. Unlike the sensationalist zombie films that would emerge decades later, this movie is a poetic and eerie tale that fuses Gothic romance with Caribbean folklore, using mood and suggestion rather than explicit horror. The film follows Betsy Connell, a Canadian nurse who accepts a position on the West Indies island of Saint Sebastian. She is tasked with caring for Jessica Holland, the wife of a plantation owner, who has fallen into a mysterious, catatonic state. As Betsy... Read More |
 | DraculaMovie Review Luc Besson’s Dracula is an ambitious and visually stunning reinterpretation of Bram Stoker’s immortal classic. The film brings the timeless gothic tale into a modern cinematic vision without losing the essence of its haunting atmosphere. From the very first frame, the movie captivates with its dark elegance, refined cinematography, and breathtaking production design. The story follows the mysterious Count Dracula, who emerges from the shadows of his ancient castle to pursue love, immortality, and revenge. Jonathan Harker, Mina, and Van Helsing are reimagined with intensity and depth, each character enriched by nuanced... Read More |
 | CHRISTINEMovie Review John Carpenter’s Christine (1983), based on Stephen King’s novel, transforms a 1958 Plymouth Fury into an icon of supernatural horror. With a perfect blend of atmosphere, paranoia, and teenage obsession, Carpenter crafts a chilling story about possession, love, and destruction. The pulsating synth score, stylish direction, and menacing car sequences turn a classic vehicle into a relentless predator. Christine is not just a horror film but also a metaphor for toxic obsession, loneliness, and the dangers of giving your soul to something you can’t control. |
 | The Conjuring: Last RitesMovie Review The Conjuring: Last Rites is positioned as the climactic conclusion to one of the most successful and beloved horror franchises of modern cinema. It carries the weight of closing the story of Ed and Lorraine Warren, the real-life paranormal investigators who have become cultural icons thanks to James Wan’s terrifying cinematic universe. Unlike other horror series that fizzle out, this film embraces its legacy with a powerful mixture of emotional depth, gothic atmosphere, and relentless scares that keep the audience tense until the very last frame. What makes Last Rites stand out is its maturity: it’s not just about jump... Read More |
 | CREEPSHOWMovie Review “Creepshow” (1982), directed by George A. Romero and written by Stephen King, is a cinematic love letter to classic EC horror comics. Blending grotesque humor with macabre storytelling, it offers five chilling tales: a vengeful father’s return from the grave, a lonely farmer corrupted by a meteorite, a jealous husband’s watery revenge, a ravenous crate’s hidden terror, and a wealthy recluse tormented by cockroaches. The anthology’s vivid comic-book style—complete with exaggerated lighting, panel-like transitions, and lurid colors—captures both nostalgia and fear. Romero’s direction balances camp with suspense, while King’s... Read More |
 | FreaksMovie Review Freaks, directed by Tod Browning in 1932, is one of the most controversial, revolutionary, and disturbing films in cinema history. Made during a period when Hollywood was experimenting with new forms of storytelling after the arrival of sound, Browning’s work hit audiences like a punch to the gut, so much so that it was censored, cut, and banned in several countries for decades. The film is set in a traveling circus and tells the story of a group of performers with real physical deformities — not actors in makeup, but actual sideshow performers — who live as a close-knit and supportive community. The plot centers around... Read More |
 | BluebeardMovie Review Bluebeard (1972) – One Man, Seven Wives, and Way Too Much Fur Richard Burton is Bluebeard — and honestly, he doesn't seem too upset that every woman he marries ends up... let’s say, unavailable. Then again, when you’ve got a mustache this perfect and a wife collection that ranges from a sadomasochistic nun to a trapeze artist, the real crime is not turning it into a reality show. The film is a kind of gothic horror disguised as a 1970s fashion parade: lace, velvet, dramatic music, and more flashbacks than an entire season of Lost. The plot? He marries them, they ask questions, he gets annoyed... next! Burton... Read More |
 | I Saw the TV GlowMovie Review “I Saw the TV Glow” is a hypnotic, unsettling, and deeply personal cinematic experience, directed by Jane Schoenbrun—already known for their experimental and intimate approach to queer cinema and psychological horror. Premiering at the Sundance Film Festival, the film quickly drew critical attention for its emotional and visual intensity. The film explores dissociation, dysphoria, and identity construction with a surreal and melancholic tone. I Saw the TV Glow is not a traditional horror film, but rather a dreamlike, painful journey into the psyche of someone who never feels truly “real” in their own body or time. ... Read More |
 | Doll houseMovie Review A Domestic Nightmare of Aesthetics and Anxiety In the landscape of contemporary Japanese cinema, Dollhouse by Yaguchi Shinobu stands out as a film that defies the conventions of the psychological thriller, blending the unease of a dark fairytale with the visual delicacy of an intimate drama. Shinobu’s direction is elegant and restrained, yet deeply effective in evoking discomfort through minute details: the cold lighting of the interiors, the symmetrical composition of the shots, the doll’s blank stare that seems to judge, observe — perhaps even understand more than the protagonist herself. The lead actress... Read More |