 | 1986Crawlspace – When horror slips through the air ducts... and into your patience
Crawlspace is one of those movies that makes you eye every ventilation grate in your apartment with suspicion. Because yes, in this gem of claustrophobic horror, the real enemy isn’t some otherworldly monster—it’s your neighbor who’s decided to live in the walls (literally).
The film pulls off the impressive feat of turning an air duct system into a labyrinth of blood, paranoia, and highly questionable character choices. The protagonists move around as if trapped in an escape room designed... Read More |
 | 1964Considered one of the pillars of Italian horror cinema, Blood and Black Lace is a visual masterpiece that marked the birth of the giallo all’italiana subgenre. Directed by maestro Mario Bava, the film is an explosion of style, saturated colors and sharp shadows that transform a story of serial murders into a work of visual art.
The plot is typically whodunit, but Bava stands out for his innovative use of light and composition of the shot, making each scene a macabre and fascinating tableau.
On a narrative level, the plot is perhaps less surprising for the modern... Read More |
 | 1973From the first shots of “The Baby” you can feel a whisper of madness, as if the camera were peering through a crack in the soul. The corridor to the nursery is lit by an unnaturally warm light, but at the center is him: a man trapped in a grotesque baby suit, crying a strangled and inarticulate moan, clinging to wooden bars like an anchor of despair.
The protagonist, Ann (Anjanette Comer), is dragged into this ghostly asylum of horrors with the lightness of a breeze, but here her smile cracks. The walls, covered in peeling wallpaper, seem to pulsate with visionary... Read More |
 | 2016The Autopsy of Jane Doe is a small gem of contemporary horror cinema, a film that manages to combine classic suspense with an intelligent use of the supernatural. Directed by Norwegian filmmaker André Øvredal, the film sits halfway between forensic thriller and occult nightmare, maintaining a claustrophobic and refined tension throughout most of its runtime.
The story unfolds almost entirely in a morgue, where a father and son (Brian Cox and Emile Hirsch, both in top form) are tasked with examining the body of a young woman found mysteriously intact at a scene of brutal... Read More |
 | 2022Presencias is a supernatural thriller that blends classic gothic aesthetics with a modern, psychologically unsettling narrative. Set in an isolated house deep in the woods, the film plays on the duality between what is seen and what is hidden—aptly hinted at by the striking poster, where a mirrored image reveals the disturbing element: an upside-down figure, symbolizing a world turned inside out, where reality loses all certainty.
Luis Mandoki’s direction—known for his emotionally resonant touch even in tense dramas—serves the tone of psychological horror well here,... Read More |
