Watch horror Movies for free with Amazon Prime

House

1985
7
Director: 
Stephen C. Miner

SYNOPSIS: 

Roger Cobb, a Vietnam veteran who moves into an uninhabited house after the death of his son and separation from his wife, ends up living in a house haunted by ghosts and where terror is unleashed.

REVIEW: 

"House" – Where Horror Rings the Doorbell (With a Rotten Finger!)

If you thought moving was stressful, wait until you see what happens when Roger Cobb opens the door of his house in House! This little gem from the '80s mixes horror, comedy, and a touch of pure madness with the charm of a film that knows not to take itself too seriously – and that’s exactly why it works so well.

Imagine being a tormented ex-soldier and writer who moves into his late aunt’s old house… only to find the place is more haunted than a paranormal convention. Doors opening by themselves? Check. Zombie hands ringing the doorbell? Check. Monster in the closet? Of course!

Directed by Steve Miner (Friday the 13th Part 2 and 3), the film is solidly put together, but it’s the balance between laughs and scares that makes House a unique experience. William Katt is perfect as the confused but determined protagonist, and the supporting cast (including a surprising George Wendt) adds a touch of humanity that makes everything even more absurd and enjoyable.

And the best part? Despite its grotesque appearance, House actually has heart: it’s about loss, trauma, and the need to face your inner demons… even when those demons have tentacles and live under the bed.

In short: House is like Evil Dead moved to the suburbs and decided to throw a haunted dinner party. It’s not just a movie – it’s a horror party. And yes, don’t come alone!

SIMILAR MOVIES REVIEWS

OTHER MOVIES REVIEWS

I Saw the TV Glow

2024

“I Saw the TV Glow” is a hypnotic, unsettling, and deeply personal cinematic experience, directed by Jane Schoenbrun—already known for their experimental and intimate approach to queer cinema and psychological horror. Premiering at the Sundance Film Festival, the film quickly drew critical attention for its emotional and visual intensity. The film explores dissociation, dysphoria, and identity construction with a surreal and melancholic tone. I Saw the TV Glow is not a traditional horror film, but rather a dreamlike, painful journey into the psyche of someone who never... Read More

Phantasm

1979

The Immortal Nightmare of the Tall Man A forgotten classic? Only by those who haven’t seen it. Phantasm is one of those films that carved its place in the hearts of horror fans with a unique blend of dream logic, nightmare fuel, and surrealism. Directed by Don Coscarelli at only 23 years old, the film has become a true cult classic, spawning four sequels and introducing one of horror’s most haunting villains: the Tall Man. Atmosphere of a nightmare Phantasm is not a straightforward film. It doesn’t aim for perfect narrative logic, and that’s exactly where its... Read More

Onibaba

1964

"Evil is the heart when wars, tragedy, death sweep away the civilized veneer and reveal the primitive beneath." This phrase, which stands out on the poster, encapsulates the brutal and poetic essence of Onibaba, a haunting masterpiece of Japanese cinema directed by Kaneto Shindō. Set in the desolate marshlands of a war-torn medieval Japan, the film is a descent into the animalistic depths of the human soul, where horror doesn’t arise from supernatural monsters, but from the moral abyss carved out by desperation and survival. A horror that whispers, not screams... Read More

abigail

2024

“Children can be such monsters” With this provocative tagline, the poster for Abigail introduces us to a horror film that turns childhood innocence into pure terror. At the center is a young ballerina (played by Alisha Weir, known for Matilda the Musical) in a white dress that radiates out like a stage curtain—stained with a vivid, blood-like red. It's a powerful, symbolic, and disturbing visual. What works Atmosphere and visual style: Abigail blends elegance and horror in a surprisingly effective way. The visuals are refined but soaked in tension and gore... Read More

Carnival of Souls

1962

Carnival of Souls is a small miracle of American independent cinema. Shot on a shoestring budget and initially released to little success, it has since become a cult classic, revered by filmmakers, critics, and cinephiles alike. This unsettling film blends horror, experimental cinema, and a philosophical meditation on life and death. One of Carnival of Souls' most remarkable elements is its atmosphere. Drawing inspiration from German Expressionist cinema and the work of directors like Ingmar Bergman, Herk Harvey creates a ghostly world where the line between reality and... Read More