 | 2024“I Saw the TV Glow” is a hypnotic, unsettling, and deeply personal cinematic experience, directed by Jane Schoenbrun—already known for their experimental and intimate approach to queer cinema and psychological horror. Premiering at the Sundance Film Festival, the film quickly drew critical attention for its emotional and visual intensity.
The film explores dissociation, dysphoria, and identity construction with a surreal and melancholic tone. I Saw the TV Glow is not a traditional horror film, but rather a dreamlike, painful journey into the psyche of someone who never... Read More |
 | 1979The Immortal Nightmare of the Tall Man
A forgotten classic? Only by those who haven’t seen it.
Phantasm is one of those films that carved its place in the hearts of horror fans with a unique blend of dream logic, nightmare fuel, and surrealism. Directed by Don Coscarelli at only 23 years old, the film has become a true cult classic, spawning four sequels and introducing one of horror’s most haunting villains: the Tall Man.
Atmosphere of a nightmare
Phantasm is not a straightforward film. It doesn’t aim for perfect narrative logic, and that’s exactly where its... Read More |
 | 1964"Evil is the heart when wars, tragedy, death sweep away the civilized veneer and reveal the primitive beneath."
This phrase, which stands out on the poster, encapsulates the brutal and poetic essence of Onibaba, a haunting masterpiece of Japanese cinema directed by Kaneto Shindō. Set in the desolate marshlands of a war-torn medieval Japan, the film is a descent into the animalistic depths of the human soul, where horror doesn’t arise from supernatural monsters, but from the moral abyss carved out by desperation and survival.
A horror that whispers, not screams... Read More |
 | 2024“Children can be such monsters”
With this provocative tagline, the poster for Abigail introduces us to a horror film that turns childhood innocence into pure terror. At the center is a young ballerina (played by Alisha Weir, known for Matilda the Musical) in a white dress that radiates out like a stage curtain—stained with a vivid, blood-like red. It's a powerful, symbolic, and disturbing visual.
What works
Atmosphere and visual style: Abigail blends elegance and horror in a surprisingly effective way. The visuals are refined but soaked in tension and gore... Read More |
 | 1962Carnival of Souls is a small miracle of American independent cinema. Shot on a shoestring budget and initially released to little success, it has since become a cult classic, revered by filmmakers, critics, and cinephiles alike. This unsettling film blends horror, experimental cinema, and a philosophical meditation on life and death.
One of Carnival of Souls' most remarkable elements is its atmosphere. Drawing inspiration from German Expressionist cinema and the work of directors like Ingmar Bergman, Herk Harvey creates a ghostly world where the line between reality and... Read More |
